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A Private Cosmos by Farmer, Philip Jose. Part one

Kickaha shouted down to him, “Your women

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will have taken other husbands and your children will grow up without remembering you! You will never catch or kill me, you half-heehaws!”

The next day a relief party rode up, and the Tishquetmoac cavalry on leave rode out with Kick-aha to the city of Talanac. The Half-Horses did not appear, and after Kickaha had been in the city for a while, he forgot about the threats of the Shoyshatel. But he was to remember.

II

THE WATCETCOL RIVER originates in a river which branches off from the Guzirit in Kham-shemland, or Dracheland, on the monolith Abharhploonta. It flows through dense jungle to the edge of the monolith and then plunges through a channel which the river has cut out of hard rock. The river falls for a long distance as solid sheets of water, then, before reaching the bottom of the hundred thousand foot monolith, it becomes spray. Clouds roll out halfway down the monolith and hide the spray and foam from the eyes of men. The bottom is also hidden; those who have tried to walk into the fog have reported that it is like blackest night and, after a while, the wetness becomes solid.

A mile or two from the base the fog extends, and somewhere in there the fog becomes water again and then a river. The stream flows through a narrow channel in limestone and then broadens out later. It zigzags for about five hundred miles, straightens out for twenty miles and then splits to flow around a solid rock mountain. The river reunites on the other side of the mountain, turns sharply, and flows westward for sixty miles. There it disappears into a vast cavern, and it may be

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presumed that it drops through a network of caverns inside the monolith on top of which is the Amerindian level. Where it comes out, only the eagies of Podarge, Wolff, and Kickaha know.

The mountain which the river had islanded was a solid block of jade.

When Jadawin formed this universe, he poured out a three thousand foot high, roughly pyramid-shaped piece of mingled jadeite and nephrite, striated in apple-green, emerald-green, brown, mauve, yellow, blue, gray, red, and black and various shades thereof. Jadawin deposited it to cool on the edge of the Great Plains and later directed the river to flow arouiu} its base.

For thousands of years, the jade mountain was untouched except by birds that landed on it and fish that flicked against the cool greasy roots. When the Amerindians were gated through to his world, they came across the jade mountain. Some tribes made it their god, but the nomadic peoples did not settle down near it.

Then a group of civilized people from ancient Mexico were taken into this world near the jade mountain. This happened, as nearly as Jadawin (who later became Wolff) could recall, about 1,500 Earth-years ago. The involuntary immigrants may have been of that civilization which the later Mexicans called Olmec. They called themselves Tishquetmoac. They built wooden houses and wooden walls on the bank to the west and east of the mountain, and they called the mountain Talanac. Talanac was their name for the Jaguar God.

The kotchulti (literally, god-house) or temple of Toshkouni, deity of writing, mathematics, and music, is halfway up the stepped-pyramid city of

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Talanac. It faces the Street of Mixed Blessings, and, from the outside, does not look impressively large. The front (if the temple is a slight bulging of the mountainside, a representation of the bird-jaguar face of Toshkouni. Like the rest of the interior of this mountain, all hollowing out, all cleaving away, all bas- and alto-relief, have been done by rubbing or drilling. Jade cannot be chipped or flaked; it can be drilled, but most of the labor in making beauty out of the stone comes from rubbing. Friction begets loveliness and utility.

Thus, the white-and-black striated jade in this area had been worn away by a generation of slaves using crushed corundum for abrasives and steel and wooden tools. The slaves had performed the crude basic labor; then the artisans and artists had taken over. The Tishquetmoac claim that form is buried in the stone and that it is revealed seems to be true—in the case of Talanac.

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