A SMALL TOWN IN GERMANY by John le Carré

‘Why are the flags at half mast?’

‘Mourning. It’s a gimmick. They’re in mourning for national honour.’

They crossed the long bridge. ‘That’s better,’ said de Lisle with a small grunt of satisfaction, and pushed down his collar as if he had entered a warmer world.

He was driving very fast. They passed a village and another. Soon they had entered the country and were following a new road along the eastern bank. To their right the tor of Godes­berg, divided by tiers of mist, stood grimly over the sleeping town. They skirted the vineyard. The furrows, picked out by the mysterious darkness, were like seams stitched to the zig-zag patterns of the staves. Above the vineyard, the forests of the Seven Hills; above the forests, broken castles and Gothic follies black against the skyline. Abandoning the main road, they entered a short avenue which led directly to an esplanade bordered by unlit lamps and pollarded trees. Beyond it lay the Rhine, smouldering and undefined.

‘Next on the left,’ de Lisle said tersely. ‘Tell me if there’s anyone on guard.’

A large white house loomed before them. The lower windows were shuttered, the front gates open. Turner left the car and walked a short way along the pavement. Picking up a stone, he flung it hard and accurately against the side of the house. The sound echoed crookedly across the water, and upwards towards the black slopes of the Petersberg. Scanning the mist, they waited for a cry or a footstep. There was none. ‘Park up the road and come back,’ said Turner.

‘I think I’ll just park up the road. How long will you need?’

‘You know the house. Come and help me.’

‘Not my form. Sorry. I don’t mind bringing you but I’m not coming in.’

‘Then why bring me?’

De Lisle did not reply.

‘Don’t dirty your fingers, will you.’

Keeping to the grass verge, Turner followed the drive towards the house. Even by that light, he was conscious of the same sense of order which had characterised Harting’s room. The long lawn was very tidy, the rose beds trimmed and weeded, the roses ringed with grass-cuttings and separately labelled with metal tags. At the kitchen door, three dustbins, numbered and licensed according to the local regulation, stood in a concrete bay. About to insert the key, he heard a footstep.

It was unmistakably a footstep. It had the double imprint, slurred yet infallibly human, of a heel falling on gravel and the toe immediately following. A cautious footstep perhaps; a gesture half made and then withheld, a message sent and revoked; but beyond all argument a footstep.

‘Peter?’ He’s changed his mind again, he thought. He’s being soft hearted. ‘Peter!’

There was still no answer.

‘Peter, is that you?’ He stooped, quickly picked up an empty bottle from the wooden crate beside him and waited, his ears tuned to the lightest sound. He heard the crowing of a cock in the Seven Hills. He heard the prickling of the sodden earth, like the tingling of pine needles in a wood; he heard the rustling of tiny waves along the river’s shore; he heard the distant throbbing of the Rhine itself, like the turning of an unearthly machine, one tone made of many, breaking and joining like the unseen water; he heard the mutter of hidden barges, the shoot of anchor chains suddenly released; he heard a cry, like the lowing oflost cattle on a moor, as a lonely siren echoed on the cliff face. But he did not hear another footstep, nor the comfortable tones of de Lisle’s courteous voice. Turning the key he pushed open the door, hard; then stood still and listened again, the bottle rigid in his hand, while the faint aroma of stale cigar rose lovingly to his nostrils.

He waited, letting the room come to him out of the cold gloom. Gradually, the new sounds began. First from the direc­tion of the serving hatch came the chink of glass; from the hall, the creak of wood; in the cellar, a hollow box was dragged over a concrete floor; a gong rang, one tone, imperious and distinctive; and from everywhere now, all about him there rose a vibrant, organic hum, obscure yet very close, pressing upon him, louder with every minute, as if the whole building had been struck with a flat hand and were trembling from the blow. Running to the hall, he charged into the dining-room, put on the lights with a single sweeping movement of his palm and glared savagely round him, shoulders hunched, bottle clenched in his considerable fist.

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