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A Stranger in the Mirror By Sidney Sheldon

 

23

 

 

They had lied. Time was not a friend that healed all wounds; it was the enemy that ravaged and murdered youth. The seasons came and went and each season brought a new crop of Product to Hollywood. The competition hitchhiked and came on motorcycles and trains and planes. They were all eighteen years old, as Jill had once been. They were long-legged and lithe, with fresh, eager young faces and bright smiles that did not need caps. And with each new crop that came in, Jill was one year older. One day she looked in the mirror and it was 1964 and she had become twenty-five years old.

At first, the experience of making the pornographic film had terrified her. She had lived in dread that some casting director would learn about it and blackball her. But as the weeks went by and then months, Jill gradually forgot her fears. But she had changed. Each succeeding year had left its mark upon her, a patina of hardness, like the annual rings on a tree. She began to hate all the people who would not give her a chance to act, the people who made promises they never kept.

She had embarked on an endless series of monotonous, thankless jobs. She was a secretary and a receptionist and a short-order cook and a baby-sitter and a model and a waitress and a telephone operator and a salesgirl. Just until she got The Call.

But The Call never came. And Jill’s bitterness grew. She did occasional walk-ons and one-liners, but they never led to anything. She looked in the mirror and received Time’s message: Hurry. Seeing her reflection was like looking back into layers of the past. There were still traces of the fresh young girl who had come to Hollywood seven endless years ago. But the fresh young girl had small wrinkles near the edges of her eyes and deeper lines that ran from the corners of her nose down to her chin, warning signals of time fleeting and success ungrasped, the souvenirs of all the countless, dreary little defeats. Hurry, Jill, hurry!

And so it was that when Fred Kapper, an eighteen-year-old assistant director at Fox, told Jill he had a good part for her if she would go to bed with him, she decided it was time to say yes.

She met Fred Kapper at the studio during his lunch hour.

“I only got half an hour,” he said. “Lemme think where we can have some privacy.” He stood there a moment, frowning in deep thought, then brightened. “The dubbing room. Come on.”

The dubbing room was a small soundproof projection chamber where all the sound tracks were combined on one reel.

Fred Kapper looked around the bare room and said, “Shit! They used to have a little couch here.” He glanced at his watch. “We’ll have to make do. Get your clothes off sweetheart. The dubbing crew’ll be back in twenty minutes.”

Jill stared at him a moment, feeling like a whore, and she loathed him. But she did not let it show. She had tried it her way and had failed. Now she was going to do it their way. She took off her dress and pants. Kapper did not bother undressing. He merely opened his zipper and took out his tumescent penis. He looked at Jill and grinned. “That’s a beautiful ass. Bend over.”

Jill looked around for something to lean against. In front of her was the laugh machine, a console on wheels, filled with laugh-track loops controlled by buttons on the outside.

“Come on, bend over.”

Jill hesitated a moment, then leaned forward, propping herself up by her hands, Kapper moved in back of her and Jill felt his fingers spreading her cheeks. An instant later she felt the tip of his penis pressing against her anus. “Wait!” Jill said. “Not there! I—I can’t—”

“Scream for me, baby!” and he plunged his organ inside her, ripping her with a terrible pain. With each scream, he thrust deeper and harder. She tried frantically to get away, but he was grabbing her hips, shoving himself in and out, holding her fast. She was off balance now. As she reached out to get leverage, her fingers touched the buttons of the laugh machine, and instantly the room was filled with maniacal laughter. As Jill squirmed in a burning agony, her hands pounded the machine, and a woman tittered and a small crowd guffawed and a girl giggled and a hundred voices cackled and chuckled and roared at some obscene, secret joke. The echoes bounced hysterically around the walls as Jill cried out with pain.

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