A Tale of A Tub by Jonathan Swift

But I forget that I am expatiating on a subject wherein I have no concern, having neither a talent nor an inclination for satire. On the other side, I am so entirely satisfied with the whole present procedure of human things, that I have been for some years preparing materials towards A Panegyric Upon the World; to which I intended to add a second part, entitled, A Modest Defence of the Proceedings of the Rabble in all Ages. Both these I had thoughts to publish by way of appendix to the following treatise; but finding my common-place book fill much slower than I had reason to expect, I have chosen to defer them to another occasion. Besides, I have been unhappily prevented in that design by a certain domestic misfortune, in the particulars whereof, though it would be very seasonable, and much in the modern way, to inform the gentle reader, and would also be of great assistance towards extending this preface into the size now in vogue. which by rule ought to be large in proportion as the subsequent- volume is small; yet I shall now dismiss our impatient reader from any farther attendance at the porch, and having duly prepared his mind by a preliminary discourse, shall gladly introduce him to the sublime mysteries that ensue.

1 For thoughts on the relationship between Hobbes and Swift in the general context of 17th/18th century intellectual history, jump to Singh. -Singh, 1996.

2 This I think the author should have omitted. it being of the very same with the School of Hobby-horses, if one may venture to censure one who is so severe a censurer of others, perhaps with too little distinction.

3 Horace. Something extraordinary, new and never hit upon before.

4 Reading Prefaces, &c.

5 Plutarch

6 Vide Xenophon.

7 Horace. Spleen.

8 Juno and Venus are money and a mistress, very powerful bribes to a judge, if scandal says true. I remember such reflections were cast about that time, but I cannot fix the person intended here.

A TALE OF A TUB, &c.

SECTION I. THE INTRODUCTION

WHOEVER hath an ambition to be heard in a crowd, must press, and squeeze, and thrust, and climb with indefatigable pains, till he has exalted himself to a certain degree of altitude above them. Now, in all assemblies, though you wedge them ever so close, we may observe this peculiar property, that over their heads there is room enough, but how to reach it is the difficult point; it being as hard to get quit of number, as of hell.

—- Evadere ad auras , Hoc opus, hic labor est. [1]

To this end, the philosopher’s way in all ages has been by erecting certain edifices in the air: but, whatever practice and reputation these kind of structures have formerly possessed, or may still continue in, not excepting even that of Socrates, when he was suspended in a basket to help contemplation, I think, with due submission, they seem to labour under two inconveniences. First, that the foundations being laid too high, they have been often out of sight, and ever out of hearing. Secondly, that the materials, being very transitory, have suffered much from inclemencies of air, especially in these north-west regions. Therefore, towards the just performance of this great work, there remain but three methods that I can think on; whereof the wisdom of our ancestors being highly sensible, has, to encourage all aspiring adventurers, thought fit to erect three wooden machines for the use of those orators who desire to talk much without interruption. These are, the pulpit, the ladder, and the stage-itinerant. For, as to the bar, though it be compounded of the same matter, and designed for the same use, it cannot however be well allowed the honor of a fourth, by reason of its level or inferior situation exposing it to perpetual interruption from collaterals. Neither can the bench itself, though raised to a proper eminency, put in a better claim, whatever its advocates insist on. For if they please to look into the original design of its erection, and the circumstances or adjuncts subservient to that design, they will soon acknowledge the present practice exactly correspondent to the primitive institution, and both to answer the etymology of the name, which in the Phoenician tongue is a word of great signification, importing, if literally interpreted, the place of sleep; but in common acceptation, a seat well bolstered and cushioned, for the repose of old and gouty limbs: senes ut in otia tuta recedent. Fortune being indebted to them this part of retaliation, that, as formerly they have long talked whilst others slept, so now they may sleep as long whilst others talk. But if no other argument could occur to exclude the Bench and the Bar from the list of oratorial machines, it were sufficient that the admission of them would overthrow a number which I was resolved to establish, whatever argument it might cost me; in imitation of that prudent method observed by many other philosophers and great clerks, whose chief art in division has been to grow fond of some proper mystical number, which their imaginations have rendered sacred, to a degree, that they force common reason to find room for it in every part of nature; reducing, including, and adjusting every genus and species within that compass, by coupling some against their wills, and banishing others at any rate. Now among all the rest, the profound number THREE is that which hath most employed my sublimest speculations, nor ever without wonderful delight. There is now in the press (and will be published next term) a panegyrical essay of mine upon this number, wherein I have by most convincing proofs not only reduced the senses and the elements under its banner, but brought over several deserters from its two great rivals, SEVEN and NINE.

Now, the first of these oratorial machines in place as well as dignity, is the pulpit. Of pulpits there are in this island several sorts; but I esteem only that made of timber from the sylva Caledonia, which agrees very well with our climate. If it be upon its decay, ’tis the better both for conveyance of sound, and for other reasons to be mentioned by and by. The degree of perfection in shape and size, I take to consist in being extremely narrow, with little ornament, and best of all without a cover (for by ancient rule, it ought to be the only uncovered vessel in every assembly where it is rightfully used) by which means, from its near resemblance to a pillory, it will ever have a mighty influence on human ears.

Of ladders I need say nothing: ’tis observed by foreigners themselves, to the honor of our country, that we excel all nations in our practice and understanding of this machine. The ascending orators do not only oblige their audience in the agreeable delivery, but the whole world in their early publication of these speeches; which I look upon as the choicest treasury of our British eloquence, and whereof I am informed that worthy citizen and bookseller, Mr. John Dunton, hath made a faithful and a painful collection, which he shortly designs to publish in twelve volumes in folio, illustrated with copperplates. A work highly useful and curious, and altogether worthy of such a hand.

The last engine of orators is the stage itinerant,[2] erected with much sagacity, sub Jove pluvio, in triviis & quadriviis.[3] It is the great seminary of the two former, and its orators are sometimes preferred to the one, and sometimes to the other, in proportion to their deservings, there being a strict and perpetual intercourse between all three.

From this accurate deduction it is manifest, that for obtaining attention in public, there is of necessity required a superior position of place. But although this point be generally granted, yet the cause is little agreed in; and it seems to me, that very few philosophers have fallen into a true, natural solution of this phenomenon. The deepest account, and the most fairly digested of any I have yet met with, is this, that air being a heavy body, and therefore (according to the system of Epicurus[4]) continually descending must needs be more so, when loaden and pressed down by words, which are also bodies of much weight and gravity, as it is manifest from those deep impressions they make and leave upon us; and therefore must be delivered from a due altitude, or else they will neither carry a good aims nor fall down with a sufficient force.

Corpoream quoque enim vocem constare fatendum est, Et sonitum, quoniam possunt impellere sensus.[5] LUCR. Lib. 4.

And I am the readier to favour this conjecture, from a common observation, that in the several assemblies of these orators, nature itself hath instructed the hearers to stand with their mouths open and erected, parallel to the horizon, so as they may be intersected by a perpendicular line from the zenith to the center of the earth In which position, if the audience be well compact, every one carries home a share, and little or nothing is lost.

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