Adams, Douglas – Meaning of Liff

CORRIEDOO (n.)

The crucial moment of false recognition in a long passageway encounter. Though both people are perfectly well aware that the other is approaching, they must eventually pretend sudden recognition. They now look up with a glassy smile, as if having spotted each other for the first time, (and are particularly delighted to have done so) shouting out ‘Haaaaaallllloooo!’ as if to say ‘Good grief!! You!! Here!! Of all people! Will I never. Coo. Stab me vitals, etc.’

CORRIEMOILLIE (n.)

The dreadful sinking sensation in a long passageway encounter when both protagonists immediately realise they have plumped for the corriedoo (q.v.) much too early as they are still a good thirty yards apart. They were embarrassed by the pretence of corriecravie (q.v.) and decided to make use of the corriedoo because they felt silly. This was a mistake as corrievorrie (q.v.) will make them seem far sillier.

CORRIEVORRIE (n.)

Corridor etiquette demands that one a corriedoo (q.v.) has been declared, corrievorrie must be employed. Both protagonists must now embellish their approach with an embarrassing combination of waving, grinning, making idiot faces, doing pirate impressions, and waggling the head from side to side while holding the other person’s eyes as the smile drips off their face, until with great relief, they pass each other.

CORRIEMUCHLOCH (n.)

Word describing the kind of person who can make a complete mess of a simple job like walking down a corridor.

CORSTORPHINE (n.)

A very short peremptory service held in monasteries prior to teatime to offer thanks for the benediction of digestive biscuits.

COTTERSTOCK (n.)

A piece of wood used to stir paint and thereafter stored uselessly in a shed in perpetuity.

CRAIL (n. mineral)

Crail is a common kind of rock or gravel found widely across the British Isles. Each individual stone (due to an as yet undiscovered gravitational property) is charged with ‘negative buoyancy’. This means that no matter how much crail you remove from the garden, more of it will rise to the surface. Crail is much employed by the Royal Navy for making the paperweights and ashtrays used inside submarines.

CRANLEIGH (n.)

A mood of irrational irritation with everyone and everything.

CROMARTY (n.)

The brittle sludge which clings to the top of ketchup bottles and plastic tomatoes in nasty cafes.

CURRY MALLET (n.)

A large wooden or rubber cub which poachers use to despatch cats or other game which they can only sell to Indian resturants. For particulary small cats the price obtainable is not worth the cost of expending ammunition.

DALRYMPLE (n.)

Dalarymples are the things you pay extra for on pieces of hand-made craftwork – the rough edges, the paint smudges and the holes in the glazing.

DAMNAGLAUR (n.)

A certain facial expression which actors are required to demonstrate their mastery of before they are allowed to play MacBeth.

DARENTH (n.)

Measure = 0.0000176 mg. Defined as that amount of margarine capable of covering one hundred slices of bread to the depth of one molecule. This is the legal maximum allowed in sandwich bars in Greater London.

DEAL (n.)

The gummy substance found between damp toes.

DEEPING ST NICHOLAS (n.)

What street-wise kids do at Christmas. They hide on the rooftops waiting for Santa Claus so that if he arrives and goes down the chimney, they can rip stuff off from his sleigh.

DES MOINES (pl.n.)

The two little lines which come down from your nose.

DETCHANT (n.)

That part of a hymn (usually a few notes at the end of a verse) where the tune goes so high or low that you suddenly have to change octaves to accommodate it.

DETCHANT (n.)

(Of the hands or feet.) Prunelike after an overlong bath.

DIDCOT (n.)

The tiny oddly-shaped bit of card which a ticket inspector cuts out of a ticket with his clipper for no apparent reason. It is a little-known fact that the confetti at Princess Margaret’s wedding was made up of thousands of didcots collected by inspectors on the Royal Train. DIDLING (participial vb.)

The process of trying to work out who did it when reading a whodunnit, and trying to keep your options open so that when you find out you can allow yourself to think that you knew perfectly well who it was all along.

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