“Fm sorry, you are too old.’1’1 Perhaps it was true. He’d looked at her through the eyes of someone old, without admiration, to him just a girl without apparently will to please, without coquetry.
A girl without any sense of her ow’. femininity — no charm or mystery or enticement, who had nothing to offer, perhaps, but plain biological sex. So it may be that she was right in her condemnation of him.
He could not help her because he did not understand her, because it was not even possible for him to appreciate her. He had done his best for her, but what had that meant up to date? What had he done for her since that one moment of appeal?
And in his thoughts the answer came quickly. He had kept her safe. That at least.
If, indeed, she needed keeping safe. That was where the whole point lay. Did she need keeping safe? That preposterous confession! Really, not so much a confession as an announcement: “/ think I may have committed a murder.” Hold on to that, because that was the crux of the whole thing. That was his metier. To deal with murder, to clear up murder, to prevent murder! To be the good dog who hunts down murder. Murder announced. Murder somewhere. He had looked for it and had not found it. The pattern of arsenic in the soup? A pattern of ^ung hooligans stabbing each other ^ ith knives? The ridiculous and sinister phrase, bloodstains in the courtyard. A shot fired from a revolver. At whom, and why?
It was not as it ought to be, a form of crime that would fit with the words she had said: “I may have committed a murder”.
He had stumbled on in the dark, trying to see a pattern of crime, trying to see where the third girl fitted into that pattern, and coming back always to the same urgent need to know what this girl was really like.
And then with a casual phrase, Ariadne Oliver had, as he thought, shown him the light. The supposed suicide of a woman at Borodene Mansions. That would fit. It was where the third girl had her living quarters.
It must be the murder that she had meant.
Another murder committed about the same time would have been too much of a coincidence! Besides there was no sign or trace of any other murder that had been committed about then. No other death that could have sent her hot-foot to consult him, after listening at a party to the lavish admiration of his own achievements which his friend, Mrs. Oliver, had given to the world. And so, when Mrs. Oliver had informed him in a casual manner of the woman who had thrown herself out of the window, it had seemed to him that at last he had got what he had been looking for.
Here was the clue. The answer to his perplexity. Here he would find what he needed. The why, the when, the where.
“Quelle deception.” said Hercule Poirot, out loud.
He stretched out his hand, and sorted out the neatly typed resume of a woman’s life. The bald facts of Mrs. Charpentier’s existence. A woman of forty-three of good social position, reported to have been a wild girl — two marriages — two divorces — a woman who liked men. A woman who of late years.had drunk more than was good for her. A woman who liked parties. A woman who was now reported to go about with men a good many years younger than herself. Living in a flat alone in Borodene Mansions, Poirot could understand and feel the sort of woman she was, and had been, and he could see why such a woman might wish to throw herself out of a high window one early morning when she awoke to despair.
Because she had cancer or thought she had cancer? But at the inquest, the medical evidence had said very definitely that that was not so.
What he wanted was some kind of a link with Norma Restarick. He could not find it.
He read through the dry facts again.
Identification had been supplied at the inquest by a solicitor. Louise Carpenter, though she had used a Frenchified form of her surname — Charpentier. Because it went better with her Christian name?