George Curtis
AUTHORITIES
A novelist is not usually asked, like a historian, for his ‘Quellen’. As I have, however, judging from certain experiences in the past, some reason to anticipate such a demand, I wish to acknowledge my indebtedness to Mr Thomson’s admirable history of travel ‘Through Masai Land’ for much information as to the habits and customs of the tribes inhabiting that portion of the East Coast, and the country where they live; also to my brother, John G. Haggard, RN, HBM’s consul at Madagascar, and formerly consul at Lamu, for many details furnished by him of the mode of life and war of those engaging people the Masai; also to my sister-in-law, John Haggard, who kindly put the lines of p. 183 into rhyme for me; also to an extract in a review from some book of travel of which I cannot recollect the name, to which I owe the idea of the great crabs in the valley of the subterranean river. {Endnote 23} But if I remember right, the crabs in the book when irritated projected their eyes quite out of their heads. I regret that I was not able to ‘plagiarize’ this effect, but I felt that, although crabs may, and doubtless do, behave thus in real life, in romance they ‘will not do so.’
There is an underground river in ‘Peter Wilkins’, but at the time of writing the foregoing pages I had not read that quaint but entertaining work.
It has been pointed out to me that there exists a similarity between the scene of Umslopogaas frightening Alphonse with his axe and a scene in Far from the Madding Crowd. I regret this coincidence, and believe that the talented author of that work will not be inclined to accuse me of literary immorality on its account.
Finally, I may say that Mr Quatermain’s little Frenchman appears to belong to the same class of beings as those English ladies whose long yellow teeth and feet of enormous size excite our hearty amusement in the pages of the illustrated Gallic press.
The Writer of ‘Allan Quatermain’
Endnote 1
Among the Zulus a man assumes the ring, which is made of a species of black gum twisted in with the hair, and polished a brilliant black, when he has reached a certain dignity and age, or is the husband of a sufficient number of wives. Till he is in a position to wear a ring he is looked on as a boy, though he may be thirty-five years of age, or even more. — A. Q.}
Endnote 2
One of the fleetest of the African antelopes. — A. Q.
Endnote 3
Alluding to the Zulu custom of opening the stomach of a dead foe. They have a superstition that, if this is not done, as the body of their enemy swells up so will the bodies of those who killed him swell up. — A. Q.
Endnote 4
No doubt this owl was a wingless bird. I afterwards learnt that the hooting of an owl is a favourite signal among the Masai tribes. — A. Q.
Endnote 5
Since I saw the above I have examined hundreds of these swords, but have never been able to discover how the gold plates were inlaid in the fretwork. The armourers who make them in Zu-vendis bind themselves by oath not to reveal the secret. — A. Q.
Endnote 6
The Masai Elmoran or young warriors can own no property, so all the booty they may win in battle belongs to their fathers alone. — A. Q.
Endnote 7
As I think I have already said, one of Umslopogaas’s Zulu names was the ‘Woodpecker’. I could never make out why he was called so until I saw him in action with Inkosi-kaas, when I at once recognized the resemblance. — A. Q.
Endnote 8
By a sad coincidence, since the above was written by Mr Quatermain, the Masai have, in April 1886, massacred a missionary and his wife — Mr and Mrs Houghton — on this very Tana River, and at the spot described. These are, I believe, the first white people who are known to have fallen victims to this cruel tribe. — Editor.