When our guide had finished his tale, the old man with the long beard and round cap, whose appearance I have already described, and who was, as I have said, the High Priest of the country, and known by the name of Agon, rose and commenced an impassioned harangue. I did not like the look of his cold grey eye as he fixed it on us. I should have liked it still less had I known that in the name of the outraged majesty of his god he was demanding that the whole lot of us should be offered up as a sacrifice by means of being burnt alive.
After he had finished speaking the Queen Sorais addressed him in a soft and musical voice, and appeared, to judge from his gestures of dissent, to be putting the other side of the question before him. Then Nyleptha spoke in liquid accents. Little did we know that she was pleading for our lives. Finally, she turned and addressed a tall, soldierlike man of middle age with a black beard and a long plain sword, whose name, as we afterwards learnt, was Nasta, and who was the greatest lord in the country; apparently appealing to him for support. Now when Sir Henry had caught her eye and she had blushed so rosy red, I had seen that the incident had not escaped this man’s notice, and, what is more, that it was eminently disagreeable to him, for he bit his lip and his hand tightened on his sword-hilt. Afterwards we learnt that he was an aspirant for the hand of this Queen in marriage, which accounted for it. This being so, Nyleptha could not have appealed to a worse person, for, speaking in slow, heavy tones, he appeared to confirm all that the High Priest Agon had said. As he spoke, Sorais put her elbow on her knee, and, resting her chin on her hand, looked at him with a suppressed smile upon her lips, as though she saw through the man, and was determined to be his match; but Nyleptha grew very angry, her cheek flushed, her eyes flashed, and she did indeed look lovely. Finally she turned to Agon and seemed to give some sort of qualified assent, for he bowed at her words; and as she spoke she moved her hands as though to emphasize what she said; while all the time Sorais kept her chin on her hand and smiled. Then suddenly Nyleptha made a sign, the trumpets blew again, and everybody rose to leave the hall save ourselves and the guards, whom she motioned to stay.
When they were all gone she bent forward and, smiling sweetly, partially by signs and partially by exclamations made it clear to us that she was very anxious to know where we came from. The difficulty was how to explain, but at last an idea struck me. I had my large pocket-book in my pocket and a pencil. Taking it out, I made a little sketch of a lake, and then as best I could I drew the underground river and the lake at the other end. When I had done this I advanced to the steps of the throne and gave it to her. She understood it at once and clapped her hands with delight, and then descending from the throne took it to her sister Sorais, who also evidently understood. Next she took the pencil from me, and after examining it with curiosity proceeded to make a series of delightful little sketches, the first representing herself holding out both hands in welcome, and a man uncommonly like Sir Henry taking them. Next she drew a lovely little picture of a hippopotamus rolling about dying in the water, and of an individual, in whom we had no difficulty in recognizing Agon the High Priest, holding up his hands in horror on the bank. Then followed a most alarming picture of a dreadful fiery furnace and of the same figure, Agon, poking us into it with a forked stick. This picture perfectly horrified me, but I was a little reassured when she nodded sweetly and proceeded to make a fourth drawing — a man again uncommonly like Sir Henry, and of two women, in whom I recognized Sorais and herself, each with one arm around him, and holding a sword in protection over him. To all of these Sorais, who I saw was employed in carefully taking us all in — especially Curtis — signified her approval by nodding.