Allan Quatermain by H. Rider Haggard

As he said the words I saw her face break up, as it were, and change. The coquetry went out of it, and in its place there shone a great light of love which seemed to glorify it, and make it like that of the marble angel overhead. I could not help thinking that it must have been a touch of prophetic instinct which made the long dead Rademas limn, in the features of the angel of his inspiring vision, so strange a likeness of his own descendant. Sir Henry, also, must have observed and been struck by the likeness, for, catching the look upon Nyleptha’s face, he glanced quickly from it to the moonlit statue, and then back again at his beloved.

‘Thou sayest thou dost love me,’ she said in a low voice, ‘and thy voice rings true, but how am I to know that thou dost speak the truth?’

‘Though,’ she went on with proud humility, and in the stately third person which is so largely used by the Zu-Vendi, ‘I be as nothing in the eyes of my lord,’ and she curtseyed towards him, ‘who comes from among a wonderful people, to whom my people are but children, yet here am I a queen and a leader of men, and if I would go to battle a hundred thousand spears shall sparkle in my train like stars glimmering down the path of the bent moon. And although my beauty be a little thing in the eyes of my lord,’ and she lifted her broidered skirt and curtseyed again, ‘yet here among my own people am I held right fair, and ever since I was a woman the great lords of my kingdom have made quarrel concerning me, as though forsooth,’ she added with a flash of passion, ‘I were a deer to be pulled down by the hungriest wolf, or a horse to be sold to the highest bidder. Let my lord pardon me if I weary my lord, but it hath pleased my lord to say that he loves me, Nyleptha, a Queen of the Zu-Vendi, and therefore would I say that though my love and my hand be not much to my lord, yet to me are they all.’

‘Oh!’ she cried, with a sudden and thrilling change of voice, and modifying her dignified mode of address. ‘Oh, how can I know that thou lovest but me? How can I know that thou wilt not weary of me and seek thine own place again, leaving me desolate? Who is there to tell me but that thou lovest some other woman, some fair woman unknown to me, but who yet draws breath beneath this same moon that shines on me tonight? Tell me how am I to know?’ And she clasped her hands and stretched them out towards him and looked appealingly into his face.

‘Nyleptha,’ answered Sir Henry, adopting the Zu-Vendi way of speech; ‘I have told thee that I love thee; how am I to tell thee how much I love thee? Is there then a measure for love? Yet will I try. I say not that I have never looked upon another woman with favour, but this I say that I love thee with all my life and with all my strength; that I love thee now and shall love thee till I grow cold in death, ay, and as I believe beyond my death, and on and on for ever: I say that thy voice is music to my ear, and thy touch as water to a thirsty land, that when thou art there the world is beautiful, and when I see thee not it is as though the light was dead. Oh, Nyleptha, I will never leave thee; here and now for thy dear sake I will forget my people and my father’s house, yea, I renounce them all. By thy side will I live, Nyleptha, and at thy side will I die.’

He paused and gazed at her earnestly, but she hung her head like a lily, and said never a word.

‘Look!’ he went on, pointing to the statue on which the moonlight played so brightly. ‘Thou seest that angel woman who rests her hand upon the forehead of the sleeping man, and thou seest how at her touch his soul flames up and shines out through his flesh, even as a lamp at the touch of the fire, so is it with me and thee, Nyleptha. Thou hast awakened my soul and called it forth, and now, Nyleptha, it is not mine, not mine, but thine and thine only. There is no more for me to say; in thy hands is my life.’ And he leaned back against the pedestal of the statue, looking very pale, and his eyes shining, but proud and handsome as a god.

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