Another mahamimamsa, another carotid. Not so miserly, that slash—it almost decapitated the torturer.
Finally, now, a Malwa had time to cry out alarm. The cry was cut short, reduced to a cough, by a dagger thrust to the heart.
Only one mahamimamsa, of the seven Malwa who had been in that room, managed to draw a weapon before he died. A short, slightly curved sword, which he even managed to raise into fighting position. The Wind fell upon him, severed the wrist holding the sword, pulverized his kneecap with a kick, and shattered the torturer’s skull with the pommel of the dagger in the backstroke.
In the fourth, and last second, the Wind swirled through the corner of the room where his kick had sent a torturer sprawling, and drove the dagger point through the mahamimamsa’s eye and into his brain. The marvelous blade sliced its way out of the skull as easily as it butchered its way in.
Swift death, incredibly swift, but—of course—by no means silent. There had been the shattering of the door, the half-cough/half-cry of one torturer, the crunching of bones, the splatter of blood, the clatter of a fallen sword, and, needless to say, the thump of many bodies falling to the floor and hurled into the walls.
The Wind could hear movement behind the last door barring the way to his treasure. Movement, and the sharp yelps of men preparing for battle. Two men, judging from the voices.
Then—other sounds; odd noises.
The Wind knew their meaning.
The Wind swept to that door, dealt with it as monsoons deal with such things, and raged into the room beyond. The chamber of the Princess Shakuntala. Where, even in sleep, she could not escape the glittering eyes of cruelty.
Two mahamimamsa, just as the Wind had thought.
Unpredictable, eerie wind. For now, at the ultimate moment, at the peaking fury of the storm, the monsoon ebbed. Became a gentle breeze, which simply glided slowly forward, as if content to do no more than rustle the meadows and the flowers in the field.
Only one mahamimamsa, now. The other was dead. Dying, rather.
The Wind examined him briefly. The torturer was expiring on the floor, gagging, both hands clutching his throat. The Wind knew the blow which had collapsed the windpipe—the straight, thumb and finger spread, arm stiff, full-bodied, lunging strike with the vee of the palm. He had delivered that blow’s twin not a minute earlier, to the priest in the domed hall.
Had the Wind himself delivered the strike which had sent this mahamimamsa to his doom, the torturer would have been dead before he hit the floor. But the blow had been delivered by another, who, though she had learned her skill from the Wind, lacked his hurricane force.
No matter. The Wind was not displeased. Truly, an excellent blow. Skillfully executed, and—to the Wind’s much greater satisfaction—selected with quick and keen intelligence. The man might not die immediately. But, however long he took, he would never utter more than a faint croak in his passing.
In the event, he died now, instantly. The Wind saw no reason for his existence, and finished his life with a short, sudden heel stamp.
The blow was delivered almost idly, however, for the Wind’s primary attention was on the final foe, and his demise.
Here, the Wind found cause for displeasure, disgruntlement. Deep grievance; great dissatisfaction.
As was her unfortunate tendency, the imperious princess had not been able to resist the royal gesture.
True, admitted the Wind, she had obviously started well. The swift, sharp kick to the groin. Well chosen, that, from the vast armory the Wind had given her. A paralyzing blow—semiparalyzing, at the very least—and, best of all, paralyzing to the vocal cords. A sharp cough, a low moan, no more.
She had delivered that kick first, the Wind knew. Knew for a certainty, though the Wind had not been present in the room.
Just as the Wind had taught her, when dealing with two opponents. The quick, disabling strike to one; the lethal blow to the other; return and finish the first. (It was a simple sonata form which the Wind itself did not always follow, of course. But the Wind was a maestro, skilled in variations because it was master of the tune.)