Now he sat in front of the painting in four modes and flipped through his address book looking for a partner for the night. He made a few calls but couldn’t have chosen a worse time to be setting up a casual liaison! Husbands were home; family gatherings were in the offing. He was out of season.
He did eventually speak to Klein, who after some persuasion accepted his apologies and then went on to tell him there was to be a party at Taylor and Clem’s house the following day, and he was sure Gentle would be welcome if he had no other plans.
“Everyone says it’ll be Taylor’s last,” Chester said. “I know he’d like to see you.”
“I supppse I should go, then,” Gentle said.
“You should. He’s very sick. He’s had pneumonia, and now cancer. He was always very fond of you, you know.”
The association of ideas made fondness for Gentle sound like another disease, but he didn’t comment on it, merely made arrangements to pick up Klein the following evening; and put down the phone, plunged into a deeper trough than ever. He’d known Taylor had the plague but hadn’t realized people were counting the days to his demise. Such grim times. Everywhere he looked things were coming apart. There seemed to be only darkness ahead, full of blurred shapes and pitiful glances. The Age of Pie ‘oh’ pah, perhaps. The time of the assassin.
He didn’t sleep, despite being tired, but sat up into the small hours with an object of study that he’d previously dismissed as fanciful nonsense: Chant’s final letter. When he’d first read it, on the plane to New York, it had seemed a ludicrous outpouring. But there had been strange times since then, and they’d put Gentle in an apter mood for this study. Pages that had seemed worthless a few days before were now pored over, in the hope they’d yield some clue, encoded in the fanciful excesses of Chant’s idiosyncratic and ill-punctuated prose, that would lead him to some fresh comprehension of the times and their movers. Whose god, for instance, was this Hapexamendios that Chant exhorted Estabrook to pray to and praise? He came trailing synonyms: the Unbeheld, the Aboriginal, the Wanderer. And what was the greater plan that Chant hoped in his final hours he was a part of?
I AM ready for death in this DOMINION, he’d written, if I know that the Unbeheld has used me as His INSTRUMENT. All praise to HAPEXAMENDIOS. For He was in the Place of the Succulent Rock and left His children to SUFFER here, and I have suffered here and AM DONE with suffering.
That at least was true. The man had known his death was imminent, which suggested he’d known his murderer too. Was it Pie ‘oh’ pah he’d been expecting? It seemed not. The assassin was referred to, but not as Chant’s executioner. Indeed, in his first reading of the letter Gentle hadn’t even realized it was Pie ‘oh’ pah who was being spoken of in this passage. But on this rereading it was completely apparent.
You have made a covenant with a RARE thing in this DOMINION or any other, and I do not know if this death nearly upon me is my punishment or my reward for my agency in that. But be circumspect in all your dealings with it, for such power is capricious, being a stew of kinds and possibilities, no UTTER thing, in any part of its nature, but pavonine and prismatic, an apostate to its core.
1 was never the friend of this power—it has only ADORERS AND UNDOERS—but it trusted me as its representative and I have done it as much harm in these dealings as I have you. More, I think; for it is a lonely thing, and suffers in this DOMINION as I have. You have friends who know you for the man you are and do not have to conceal your TRUE NATURE. Cling to them, and their love for you, for the Place of the Succulent Rock is about to shake and tremble, and in such a time all a soul has is the company of its loving like. I say this having lived in such a time, and am GLAD that if such is coming upon the FIFTH DOMINION again, I will be dead, and my face turned to the glory of the UNBEHELD.