He opened a door at random and found himself in a long, elegantly furnished parlor with a white marble chimney breast that made him shudder as he remembered his ordeal in Skovgaard’s flues. The room’s windows overlooked the sleeping woman and Sharpe stood between the thick curtains and wondered who she was. Lavisser’s cousin? She was much too young to be his grandmother. She seemed to have an incongruous musket propped beside her chair, then Sharpe saw it was a pair of crutches. The newspaper on the wicker table, weighted down by the work basket, stirred in the wind.
So where would Lavisser put his gold? Not in this room with its well-stuffed chairs, thick rugs and gilt-framed portraits. Sharpe went into the main hall. A curving white staircase lay to his right and, beyond it, an open door. He peered through the door and found a small parlor that had been turned into a bedroom. Presumably the woman on crutches could not climb the stairs and so a bed had been placed under the window. Books were piled on the white-painted window seat while newspapers lay across the bed and on a heavy leather valise that was overflowing with discarded petticoats. There were initials gilded on the valise’s lid. MLV.
He wondered if the “L” stood for Lavisser, then dismissed the idea, and just then the name Visser came to him. Lavisser, Visser, Madame Visser. And in Skovgaard’s house his last pistol ball had struck someone, provoking a yelp of pain and leaving blood on the floor. The woman in the garden had crutches.
He looked through the valise and found nothing with a name on it. He opened the books, but none was inscribed with an owner’s name, though all, he thought, were in French. He went back to the big parlor and stared through the window at the sleeping woman. She was Lavisser’s accomplice, she was French, she was the enemy. Sharpe reckoned he could spend all day searching the house for gold, but why bother when Madame Visser could probably tell him where it was?
He went back into the passage where the dog thumped its tail in welcome for a second time, crossed the lawn and stood behind the chair where he unslung the rifle from his shoulder. “Madame Visser?” he asked.
“Oui?” She sounded startled, then went silent as she heard the weapon being cocked. She turned very slowly.
“We met last week,” Sharpe said. “I’m the man who shot you.”
“Then I hope you suffer all the torments of hell,” she said calmly. She spoke English well. A disturbingly good-looking woman, Sharpe thought, with an elegant face, dark hair and the eyes of a huntress. Those eyes, instead of showing fear, looked amused now. Her white dress had delicate lace at its neckline and hems and looked so feminine that Sharpe had to remind himself of Ole Skovgaard’s verdict on this woman: merciless, he had said. “So what do you want?” she asked.
“Where is Lavisser’s gold?”
She laughed. Not a pretend laugh, but genuine laughter. “Lieutenant Sharpe, isn’t it? Major Lavisser told me your name. Sharpe. Not very appropriate, is it?” She looked him up and down. “So were you fighting up the hill?”
“Wasn’t much of a fight.”
“I can’t imagine it was. Proper troops against farm boys, what does one expect? But my husband will be very disappointed. He and his friend rode up to watch. Did you see them? Perhaps you shot two gentlemen on horseback while you were culling the peasantry?” She was still twisted awkwardly in the chair. “Why don’t you stand in front of me,” she suggested, “where I can see your face properly.”
Sharpe moved, keeping the rifle pointed at her.
Madame Visser still seemed amused rather than frightened by the weapon’s threat. “Did you really come to find the gold? Major Lavisser probably took it with him and if that’s all you came for then you might as well go away again.”
“I think it’s here,” Sharpe said.
“Then you are a fool,” she said and reached out for the small handbell on the wicker table. She picked it up but did not ring it. “So what are you going to do, fool? Shoot me?”