“The cavalry,” Jack says. “That’s us, I suppose.”
“No,” Parkus says. His tone is patient, but Jack suspects it is costing him a great effort to maintain that tone. “The cavalry is Roland of Gilead and his new gunslingers. Or so those of us who want the Tower to stand—or to fall in its own time—dare hope. The Crimson King hopes to hold Roland back, and to finish the job of destroying the Tower while he and his band are still at a distance. That means gathering all the Breakers he can, especially the telekinetics.”
“Is Tyler Marshall—”
“Stop interrupting. This is difficult enough without that.”
“You used to be a hell of a lot cheerier, Speedy,” Jack says reproachfully. For a moment he thinks his old friend is going to give him another tongue-lashing—or perhaps even lose his temper completely and turn him into a frog—but Parkus relaxes a little, and utters a laugh.
Sophie looks up, relieved, and gives Jack’s hand a squeeze.
“Oh, well, maybe you’re right to yank on my cord a little,” Parkus says. “Gettin’ all wound up won’t help anything, will it?” He touches the big iron on his hip. “I wouldn’t be surprised if wearin’ this thing has given me a few delusions of grandeur.”
“It’s a step or two up from amusement-park janitor,” Jack allows.
“In both the Bible—your world, Jack—and the Book of Good Farming—yours, Sophie dear—there’s a scripture that goes something like ‘For in my kingdom there are many mansions.’ Well, in the Court of the Crimson King there are many monsters.”
Jack hears a short, hard laugh bolt out of his mouth. His old friend has made a typically tasteless policeman’s joke, it seems.
“They are the King’s courtiers . . . his knights-errant. They have all sorts of tasks, I imagine, but in these last years their chief job has been to find talented Breakers. The more talented the Breaker, the greater the reward.”
“They’re headhunters,” Jack murmurs, and doesn’t realize the resonance of the term until it’s out of his mouth. He has used it in the business sense, but of course there is another, more literal meaning. Headhunters are cannibals.
“Yes,” Parkus agrees. “And they have mortal subcontractors, who work for . . . one doesn’t like to say for the joy of it, but what else could we call it?”
Jack has a nightmarish vision then: a cartoon Albert Fish standing on a New York sidewalk with a sign reading WILL WORK FOR FOOD. He tightens his arm around Sophie. Her blue eyes turn to him, and he looks into them gladly. They soothe him.
“How many Breakers did Albert Fish send his pal Mr. Monday?” Jack wants to know. “Two? Four? A dozen? And do they die off, at least, so the abbalah has to replace them?”
“They don’t,” Parkus replies gravely. “They are kept in a place—a basement, yes, or a cavern—where there is essentially no time.”
“Purgatory. Christ.”
“And it doesn’t matter. Albert Fish is long gone. Mr. Monday is now Mr. Munshun. The deal Mr. Munshun has with your killer is a simple one: this Burnside can kill and eat all the children he wants, as long as they are untalented children. If he should find any who are talented—any Breakers—they are to be turned over to Mr. Munshun at once.”
“Who will take them to the abbalah,” Sophie murmurs.
“That’s right,” Parkus says.
Jack feels that he’s back on relatively solid ground, and is extremely glad to be there. “Since Tyler hasn’t been killed, he must be talented.”
“ ‘Talented’ is hardly the word. Tyler Marshall is, potentially, one of the two most powerful Breakers in all the history of all the worlds. If I can briefly return to the analogy of the fort surrounded by Indians, then we could say that the Breakers are like fire arrows shot over the walls . . . a new kind of warfare. But Tyler Marshall is no simple fire arrow. He’s more like a guided missile.
“Or a nuclear weapon.”
Sophie says, “I don’t know what that is.”
“You don’t want to,” Jack replies. “Believe me.”
He looks down at the scribble of drawings in the dirt. Is he surprised that Tyler should be so powerful? No, not really. Not after experiencing the aura of strength surrounding the boy’s mother. Not after meeting Judy’s Twinner, whose plain dress and manner can’t conceal a character that strikes him as almost regal. She’s beautiful, but he senses that beauty is one of the least important things about her.
“Jack?” Parkus asks him. “You all right?” There’s no time to be anythin’ else, his tone suggests.
“Give me a minute,” Jack says.
“We don’t have much t—”
“That has been made perfectly clear to me,” Jack says, biting off the words, and he feels Sophie shift in surprise at his tone of voice. “Now give me a minute. Let me do my job.”
From beneath a ruffle of green feathers, one of the parrot’s heads mutters: “God loves the poor laborer.” The other replies: “Is that why he made so fucking many of them?”
“All right, Jack,” Parkus says, and cocks his head up at the sky.
Okay, what have we got here? Jack thinks. We’ve got a valuable little boy, and the Fisherman knows he’s valuable. But this Mr. Munshun doesn’t have him yet, or Speedy wouldn’t be here. Deduction?
Sophie, looking at him anxiously. Parkus, still looking up into the blameless blue sky above this borderland between the Territories—what Judy Marshall calls Faraway—and the Whatever Comes Next. Jack’s mind is ticking faster now, picking up speed like an express train leaving the station. He is aware that the black man with the bald head is watching the sky for a certain malevolent crow. He is aware that the fair-skinned woman beside him is looking at him with the sort of fascination that could become love, given world enough and time. Mostly, though, he’s lost in his own thoughts. They are the thoughts of a coppiceman.
Now Bierstone’s Burnside, and he’s old. Old and not doing so well in the cognition department these days. I think maybe he’s gotten caught between what he wants, which is to keep Tyler for himself, and what he’s promised this Munshun guy. Somewhere there’s a fuddled, creaky, dangerous mind trying to make itself up. If he decides to kill Tyler and stick him in the stewpot like the witch in “Hansel and Gretel,” that’s bad for Judy and Fred. Not to mention Tyler, who may already have seen things that would drive a Marine combat vet insane. If the Fisherman turns the boy over to Mr. Munshun, it’s bad for everyone in creation. No wonder Speedy said time was blowing in our teeth.
“You knew this was coming, didn’t you?” he says. “Both of you. You must have. Because Judy knew. She’s been weird for months, long before the murders started.”
Parkus shifts and looks away, uncomfortable. “I knew something was coming, yes—there have been great disruptions on this side—but I was on other business. And Sophie can’t cross. She came here with the flying men and will go back the same way when our palaver’s done.”
Jack turns to her. “You are who my mother once was. I’m sure of it.” He supposes he isn’t being entirely clear about this, but he can’t help it; his mind is trying to go in too many directions at once. “You’re Laura DeLoessian’s successor. The Queen of this world.”
Now Sophie is the one who looks uncomfortable. “I was nobody in the great scheme of things, really I wasn’t, and that was the way I liked it. What I did mostly was write letters of commendation and thank people for coming to see me . . . only in my official capacity, I always said ‘us.’ I enjoyed walking, and sketching flowers, and cataloging them. I enjoyed hunting. Then, due to bad luck, bad times, and bad behavior, I found myself the last of the royal line. Queen of this world, as you say. Married once, to a good and simple man, but my Fred Marshall died and left me alone. Sophie the Barren.”
“Don’t,” Jack says. He is surprised at how deeply it hurts him to hear her refer to herself in this bitter, joking way.
“Were you not single-natured, Jack, your Twinner would be my cousin.”
She turns her slim fingers so that now she is gripping him instead of the other way around. When she speaks again, her voice is low and passionate. “Put all the great matters aside. All I know is that Tyler Marshall is Judy’s child, that I love her, that I’d not see her hurt for all the worlds that are. He’s the closest thing to a child of my own that I’ll ever have. These things I know, and one other: that you’re the only one who can save him.”
“Why?” He has sensed this, of course—why else in God’s name is he here?—but that doesn’t lessen his bewilderment. “Why me?”