At last it was done, and the two years’ time was gone after all the other time before it, and where it’s all gone to, who knows? The new cart was finished,–yellow outside, relieved with wermilion and brass fittings,–the old horse was put in it, a new ‘un and a boy being laid on for the Cheap Jack cart,–and I cleaned myself up to go and fetch her. Bright cold weather it was, cart-chimneys smoking, carts pitched private on a piece of waste ground over at Wandsworth, where you may see ’em from the Sou’western Railway when not upon the road. (Look out of the right-hand window going down.)
“Marigold,” says the gentleman, giving his hand hearty, “I am very glad to see you.”
“Yet I have my doubts, sir,” says I, “if you can be half as glad to see me as I am to see you.”
“The time has appeared so long,–has it, Marigold?”
“I won’t say that, sir, considering its real length; but–”
“What a start, my good fellow!”
Ah! I should think it was! Grown such a woman, so pretty, so intelligent, so expressive! I knew then that she must be really like my child, or I could never have known her, standing quiet by the door.
“You are affected,” says the gentleman in a kindly manner.
“I feel, sir,” says I, “that I am but a rough chap in a sleeved waistcoat.”
” I feel,” says the gentleman, “that it was you who raised her from misery and degradation, and brought her into communication with her kind. But why do we converse alone together, when we can converse so well with her? Address her in your own way.”
“I am such a rough chap in a sleeved waistcoat, sir,” says I, “and she is such a graceful woman, and she stands so quiet at the door!”
“TRY if she moves at the old sign,” says the gentleman.
They had got it up together o’ purpose to please me! For when I give her the old sign, she rushed to my feet, and dropped upon her knees, holding up her hands to me with pouring tears of love and joy; and when I took her hands and lifted her, she clasped me round the neck, and lay there; and I don’t know what a fool I didn’t make of myself, until we all three settled down into talking without sound, as if there was a something soft and pleasant spread over the whole world for us.
[A portion is here omitted from the text, having reference to the sketches contributed by other writers; but the reader will be pleased to have what follows retained in a note:
“Now I’ll tell you what I am a-going to do with you. I am a-going to offer you the general miscellaneous lot, her own book, never read by anybody else but me, added to and completed by me after her first reading of it, eight-and-forty printed pages, six-and-ninety columns, Whiting’s own work, Beaufort House to wit, thrown off by the steam-ingine, best of paper, beautiful green wrapper, folded like clean linen come home from the clear-starcher’s, and so exquisitely stitched that, regarded as a piece of needlework alone, it’s better than the sampler of a seamstress undergoing a Competitive examination for Starvation before the Civil Service Commissioners–and I offer the lot for what? For eight pound? Not so much. For six pound? Less. For four pound. Why, I hardly expect you to believe me, but that’s the sum. Four pound! The stitching alone cost half as much again. Here’s forty-eight original pages, ninety-six original columns, for four pound. You want more for the money? Take it. Three whole pages of advertisements of thrilling interest thrown in for nothing. Read ’em and believe ’em. More? My best of wishes for your merry Christmases and your happy New Years, your long lives and your true prosperities. Worth twenty pound good if they are delivered as I send them. Remember! Here’s a final prescription added, “To be taken for life,” which will tell you how the cart broke down, and where the journey ended. You think Four Pound too much? And still you think so? Come! I’ll tell you what then. Say Four Pence, and keep the secret.”]