A wave of assenting sound.
‘The art of mind sculpturethe creation of artificial personalities for aesthetic enjoymentmay never reach such a pinnacle again. For you should understand that as Jerom Bosch you had no talent for music at all; indeed, we searched a long time to find a man who was utterly unable to carry even the simplest tune. Yet we were able to impose upon such unpromising material not only the personality, but the genius, of a great composer. That genius belongs entirely to youto the persona that thinks of itself as Richard Strauss.
None of the credit goes to the man who volunteered for the sculpture. That is your triumph, and we salute you for it.”
Now the ovation could no longer be contained. Strauss, with a crooked smile, watched Dr. Kris bow. This mind sculpturing was a suitably sophisticated kind of cruelty for this age; but the impulse, of course, had always existed. It was the same impulse that had made Rembrandt and Leonardo turn cadavers into art works.
It deserved a suitably sophisticated payment under the lex talionis: an eye for an eye, a tooth for a toothand a failure for a failure.
No, he need not tell Dr. Kris that the “Strauss” he had created was as empty of genius as a hollow gourd. The joke would always be on the sculptor, who was incapable of hearing the hollowness of the music now preserved on the 3-V
tapes.
But for an instant a surge of revolt poured through his blood stream. I am I, he thought. I am Richard Strauss until I die, and will never be Jerom Bosch, who was utterly unable to carry even the simplest tune. His hand, still holding the baton, came sharply up, though whether to deliver or to ward off a blow he could not tell.