Brothers Majere by Weis, Margaret

Not that the warrior believed they were in any danger; the lands around them were peaceful and calm. But Caramon could no more have gone to his rest without setting a watch then he could have gone for a day without eating. It was one reason— at least so he had told his brother — that they needed Earwig to accompany them on their journey.

The warrior settled himself beneath a tree. He enjoyed this time of night. He liked to see the moons and stars fade into morning’s first light. The constellations turned and wheeled and faced each other— the platinum dragon Paladine, the five-headed dragon Takhisis, between Ihem the god Gilean, the symbol of balance. Few others on Krynn believed in these ancient gods anymore, or even remembered the names of their constellations. Caramon had learned them from his brother. Sometimes the warrior wondered if Raistlin believed in the despised gods. If he did, he never mentioned it or worshipped them openly. Probably a good thing, Caramon reflected. This day and age, that type of faith could get you killed.

Caramon connected the bright points, his imagination drawing lines and curves, forming the stars into symbols of good and evil. He found the twins’ namesake— the god Majere, called the Single Rose by the elves (accord-

DRAQONLANCE Pneluoes

ing to his friend, Tanis), the Mantis by the Knights of So-lamnia (according to Sturm). The constellation lay deep in the pool of darkness overhead. Caramon knew from Raistlin that it was supposed to grant stability of thought, peace of mind. The heavens did give him a feeling of stability, of lasting equilibrium in the world. No matter what happened, the constellations would always be there.

Giving the stars a salute, Caramon heaved himself to his feet. Time to work. Moving silently, careful not to awake his sleeping brother, Caramon piled his weapons at his feet and began giving each a cursory examination. There were three swords, all aged and battle worn. One was a bastard sword, also called a hand-and-a-half sword, because it could be used with either one or two hands. The hilt was dirty, blackened with blood. The cross-guard—a simple, unadorned metal bar running across the hilt where it met the four-foot blade—was notched and cut from parrying the attacks of countless opponents.

The other swords were smaller: an old, worn broadsword with a counterweight at the bottom and a main-gauche—a one and a half foot long parrying dagger with a large basket hilt and wide blade. These were the arms of a skilled warrior, of one who never sacrificed his honor to win a confrontation. They were old and trusted friends.

Caramon’s other weapons were the spoils of war, the gifts of the dead. One, two, or even three dagger blades jutted out from hilts carved into the likenesses of demons and dragons. There was a double-edged stiletto, its blade curved like a snake, and several small throwing weapons such as darts and hand-axes. Other weapons included a brass cestus, punch-daggers, ring blades. All these had been taken from enemies who no longer needed them.

Taking out a whetstone and cloth, the warrior began

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cleaning his weapons. Deciding to do his swords first, he sharpened them with the stone, wiping them down with a cloth he wet from the waterskin. He lifted the blades, inspecting them by Solinari’s silver light, holding each one up to his eye to make sure the blade was straight, bending it with his bare hands when it didn’t meet with his satisfaction. He looked for cracks or dents that meant the sword had to be thrown away lest it break in the middle of a battle. There were none. Caramon, an expert at all forms of personal combat, never allowed his tools to wear, knowing full well that preventive maintenance could save his life.

He put away his gear, sheathing the swords, or strapping them back onto his huge, muscular form. His arms could bend the thickest bars, lift the heaviest weight, move the largest obstacle. Veins stood out against the definition of muscles as firm as iron plates. The thinning leather thongs that held in place Caramon’s unadorned metal hauberk creaked when he breathed deeply, and the thick armored greaves he wore barely covered his lower legs. Strong and powerful, Caramon was born to fight, even as his brother was born to magic. It was difficult for most people to believe the two were twins.

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