The trivial obligations of the moment came to her aid. Nursed in idleness her grief would have mastered her; but the needs of the shop and the back room, and the preparations for Evelina’s marriage, kept the tyrant under.
Miss Mellins, true to her anticipations, had been called on to aid in the making of the wedding dress, and she and Ann Eliza were bending one evening over the breadths of pearl-grey cashmere which in spite of the dress-maker’s prophetic vision of gored satin, had been judged most suitable, when Evelina came into the room alone.
Ann Eliza had already had occasion to notice that it was a bad sign when Mr. Ramy left his affianced at the door. It generally meant that Evelina had something disturbing to communicate, and Ann Eliza’s first glance told her that this time the news was grave.
Miss Mellins, who sat with her back to the door and her head bent over her sewing, started as Evelina came around to the opposite side of the table.
“Mercy, Miss Evelina! I declare I thought you was a ghost, the way you crep’ in. I had a customer once up in Forty-ninth Street–a lovely young woman with a thirty-six bust and a waist you could ha’ put into her wedding ring–and her husband, he crep’ up behind her that way jest for a joke, and frightened her into a fit, and when she come to she was a raving maniac, and had to be taken to Bloomingdale with two doctors and a nurse to hold her in the carriage, and a lovely baby on’y six weeks old–and there she is to this day, poor creature.”
“I didn’t mean to startle you,” said Evelina.
She sat down on the nearest chair, and as the lamp-light fell on her face Ann Eliza saw that she had been crying.
“You do look dead-beat,” Miss Mellins resumed, after a pause of soul-probing scrutiny. “I guess Mr. Ramy lugs you round that Square too often. You’ll walk your legs off if you ain’t careful. Men don’t never consider–they’re all alike. Why, I had a cousin once that was engaged to a book-agent–”
“Maybe we’d better put away the work for to-night, Miss Mellins,” Ann Eliza interposed. “I guess what Evelina wants is a good night’s rest.”
“That’s so,” assented the dress-maker. “Have you got the back breadths run together, Miss Bunner? Here’s the sleeves. I’ll pin ’em together.” She drew a cluster of pins from her mouth, in which she seemed to secrete them as squirrels stow away nuts. “There,” she said, rolling up her work, “you go right away to bed, Miss Evelina, and we’ll set up a little later to-morrow night. I guess you’re a mite nervous, ain’t you? I know when my turn comes I’ll be scared to death.”
With this arch forecast she withdrew, and Ann Eliza, returning to the back room, found Evelina still listlessly seated by the table. True to her new policy of silence, the elder sister set about folding up the bridal dress; but suddenly Evelina said in a harsh unnatural voice: “There ain’t any use in going on with that.”
The folds slipped from Ann Eliza’s hands.
“Evelina Bunner–what you mean?”
“Jest what I say. It’s put off.”
“Put off–what’s put off?”
“Our getting married. He can’t take me to St. Louis. He ain’t got money enough.” She brought the words out in the monotonous tone of a child reciting a lesson.
Ann Eliza picked up another breadth of cashmere and began to smooth it out. “I don’t understand,” she said at length.
“Well, it’s plain enough. The journey’s fearfully expensive, and we’ve got to have something left to start with when we get out there. We’ve counted up, and he ain’t got the money to do it– that’s all.”
“But I thought he was going right into a splendid place.”
“So he is; but the salary’s pretty low the first year, and board’s very high in St. Louis. He’s jest got another letter from his German friend, and he’s been figuring it out, and he’s afraid to chance it. He’ll have to go alone.”
“But there’s your money–have you forgotten that? The hundred dollars in the bank.”