CARRIER 10: ARSENAL By: Keith Douglass

proceeded leapfrog fashion through the dark and shadows, blending in

with the night when they could, taking cover when they couldn’t.

The security guard was almost painfully easy to avoid.

The cement building was locked from the outside by a heavy padlock.

Nothing fancy, nothing complicated, but effective. They made a quick

circuit of the building, verifying that there were no windows in it,

then turned back to the problem of the lock. A shot from a pistol

would have destroyed it, but even their silencers would have been

easily detectable in the quiet Cuban night.

Garcia produced the snips that had dealt with the fence around the

compound and fitted them experimentally around the lock’s shaft. He

bore down, squeezing the blades together, but made little impression on

the metal. Huerta watched patiently for a few moments, then gently

shoved him aside.

He took the handles to the snips in his two massive paws, his hands

enveloping them completely. Sikes watched in awe as Huerta bore down,

knots of muscles and blood vessels popping out at odd angles all over

his hands and arms. The metal blades whined slightly as they bit into

the steel, complained, and suddenly met with a sharp click.

Huerta twisted the rest of the lock off the door and tossed it to

Garcia. Sikes shook his head, then put his hand on the doorknob.

It is always difficult to tell how hostages will react, even more so

when they are members of the media. There is a well-known phenomenon,

the Stockholm Syndrome, in which hostages begin identifying with their

captors, to the extent of even resisting rescue. Sikes wondered if

such would be the case with Miss Drake.

He shook his head. No, no way. Their biggest problem would be getting

her out without letting her catch it all on film. These reporters just

who the hell did they think they were? A spur of anger cut through his

concentration, distracting him. She was here by her own actions, but

her willful disobedience of her nation’s embargo on Cuba was now

endangering his life and that of his men, plus the team on the other

side of the island headed for the downed pilot.

Was it worth it? No, she probably wasn’t but the pilot sure as hell

was.

He shoved the door open quietly and stepped into the room, still a

ghost. It was stark, furnished only with a bed and linen. A door off

to the right appeared to lead to a bathroom.

Pamela Drake was asleep. She was lying on her stomach, her head

cushioned in one elbow, the pillow partially shielding her eyes. It

also covered her ear, making it unlikely that she’d heard them enter

the room. He motioned the other men in, out of immediate line of

sight, then quietly shut the door so that it would appear normal from

the outside. The only problem would be if the sentry came close enough

to observe that the lock was now missing from the door. Given his

brief observation of the man’s performance, he doubted that was a

probability.

Crossing the room in a few steps, Sikes knelt quietly by the bed. He

shook the mattress slightly, trying to rouse her without bringing her

to full consciousness. Many times he’d found that actually touching

sleeping hostages had startled them so much that they’d screamed, thus

bringing unwanted attention to the rescue operation.

Pamela moaned and rolled over onto her back, and her eyelids

fluttered.

He shook the bed again.

Her eyelids slammed upward and she rolled to the right, freezing as she

saw the man kneeling next to her bed. He felt her eyes travel over his

uniform quickly, noting the lack of insignia.

“SEALs?” she finally whispered.

He nodded grudging approval of her quiet voice and quick grasp of the

situation. Whatever else she was, this woman was no dummy. Time for

you to go home, ma’am.”

Pamela sat up in bed, gathering the sheet around her defensively.

“What makes you think I want to go home?”

Sikes rocked back on his heels. “The admiral thought” “Tombstone, was

it?” Her voice was sharp and slightly louder. “Coming to rescue the

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