CASINO ROYALE by Ian Fleming

Bond asked the huissier for a card and wrote on it, under a neat question mark, the remaining numbers, 2, 4, 5, 8, 10, and asked the huissier to give it to the chef de partie.

Soon it came back with the names filled in.

Number 2, still empty, was to be Carmel Delane, the American film star with alimony from three husbands to burn and, Bond assumed, a call on still more from whoever her present companion at Royale might be. With her sanguine temperament she would play gaily and with panache and might run into a vein of luck.

Then came Lady Danvers at Number 3 and Numbers 4 and 5 were a Mr and Mrs Du Pont, rich-looking and might or might not have some of the real Du Pont money behind them. Bond guessed they would be stayers. They both had a business-like look about them and were talking together easily and cheerfully as if they felt very much at home at the big game. Bond was quite happy to have them next to him – Mrs Du Pont sat at Number 5 – and he felt prepared to share with them or with Monsieur Sixte on his right, if they found themselves faced with too big a bank.

At Number 8 was the Maharajah of a small Indian state, probably with all his wartime sterling balances to play with. Bond’s experience told him that few of the Asiatic races were courageous gamblers, even the much-vaunted Chinese being inclined to lose heart if the going was bad. But the Maharajah would probably stay in the game and stand some heavy losses if they were gradual.

Number 10 was a prosperous-looking young Italian, Signor Tomelli, who possibly had plenty of money from rackrents in Milan and would probably play a dashing and foolish game. He might lose his temper and make a scene.

Bond had just finished his sketchy summing-up of the players when Le Chiffre, with the silence and economy of movement of a big fish, came through the opening in the brass rail and, with a cold smile of welcome for the table, took his place directly opposite Bond in the banker’s chair.

With the same economy of movements the thick slab of cards which the croupier had placed on the table squarely between his blunt relaxed hands. Then, as the croupier fitted the six packs with one swift exact motion into the metal and wooden shoe, Le Chiffre said something quietly to him.

‘Messieurs, mesdames, les jeux sont faits. Un banco de cinq cent mille,’ and as the Greek at Number 1 tapped the table in front of his fat pile of hundred-mille plaques, ‘Le banco est fait.’

Le Chiffre crouched over the shoe. He gave it a short deliberate slap to settle the cards, the first of which showed its semicircular pale pink tongue through the slanting aluminium mouth of the shoe. Then, with a thick white fore-finger he pressed gently on the pink tongue and slipped out the first card six inches or a foot towards the Greek on his right hand. Then he slipped out a card for himself, then another for the Greek, then one more for himself

He sat immobile, not touching his own cards.

He looked at the Greek’s face.

With his flat wooden spatula, like a long bricklayer’s trowel, the croupier delicately lifted up the Greek’s two cards and dropped them with a quick movement an extra few inches to the right so that they lay just before the Greek’s pale hairy hands which lay inert like two watchful pink crabs on the table.

The two pink crabs scuttled out together and the Greek gathered the cards into his wide left hand and cautiously bent his head so that he could see, in the shadow made by his cupped hand, the value of the bottom of the two cards. Then he slowly inserted the forefinger of his right hand and slipped the bottom card slightly sideways so that the value of the top card was also just perceptible.

His face was quite impassive. He flattened out his left hand on the table and then withdrew it, leaving the two pink cards face down before him, their secret unrevealed.

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