You climb away from the road up a small hill maybe a hundred feet high. There
are scrawny trees all over the place, a little more than shoulder high. They have no
\ | haves, but the terrain keeps you concealed. You’re in a kind of wide trench. You step
left and right to pass tumbled boulders. At the top of the hill you follow the ridge to the left. You duck low as the ground starts to fall away on the other side. You drop to your knees and shuffle forward to where two giant rocks rest on each other, giv
aing
a wonderful random view of the valley through the triangle they make between them. You lean your right shoulder on the right-hand rock and Lieutenant Rita Scimeca’s house slides into the exact center of your field of view, just a little more than two hundred yards away.
The house is slightly north and west of your position, so you’re getting a full-
M frontal
of the street side. It’s maybe three hundred feet down the mountain, so the
whole thing is laid out like apian. The Bureau car is right there, parked outside. A
m clean Buick, dark blue. One agent in it. You use your field glasses. The guy is still
awake. His head is upright. He’s not looking around much. Just staring forward,
Ibored out of his skull. You can’t blame him. Twelve hours through the night, in a
place where the last big excitement was somebody’s Christmas bake sale.
It’s cold in the hills. The rock is sucking heat out of your shoulder. There’s no sun. • Just sullen clouds stacked up over the giant peaks. You turn away for a moment and
pull on your gloves. Pull your muffler up over the lower half of your face. Partly for the warmth, partly to break up the clouds of steam your breathing is creating in the air. You turn back. Move your feet and squirm around. Get comfortable. You raise the glasses again.
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The house has a wire fence all the way around the perimeter of the yard. There’s an opening onto a driveway. The driveway is short. A single garage door stands at the end of it, under the end of the front porch. There’s a path off the driveway that loops around through some neat rockery planting to the front door. The Bureau car is parked at the sidewalk right across the driveway opening, just slightly up the hill from dead center. Facing down the rise. That puts the driver’s line of vision directly in line with the mouth of the path. Intelligent positioning. If you walk up the hill to the house, he sees you coming all the way. You come on him from behind, he maybe spots you in his mirror, and he sees you for certain as soon as you pass him by. Then he gets a clear back view all the way as you walk up the looping path. Intelligent positioning, but that’s the Bureau for you.
You see movement a half-mile to the west and two hundred feet farther down the mountain. A black-and-white Crown Victoria, nosing through a right-angle turn. Prowling, slow. It snuffles through the turns and enters her road. A cloud of white vapor trails from the tailpipe. The engine is cold. The car has been parked up all night behind a quiet station house. It comes up the street and slows and stops flank to flank with the Buick. The cars are afoot apart. You don’t see it for sure but you know the windows are buzzing down. Greetings are being exchanged. Information is being passed on. It’s all quiet, the Bureau guy is saying. Have a nice day, he’s adding. The local cop is grunting. Pretending to be bored, while secretly he’s thrilled to have an important mission. Maybe the first he’s ever had. See you later, the Bureau guy is saying.
The black-and-white moves up the hill and turns in the road. The Buick’s engine starts and the car lurches as the agent slams it into drive. The black-and-white noses in behind it. The Buick moves away down the hill. The black-and-white rolls forward and stops. Exactly where the Buick was, inch for inch. It bounces twice on its springs and settles. The motor stops. The white vapor drifts and disappears. The cop turns his head to the right and gets exactly the same view of the path the Bureau guy had gotten. Maybe not such a dumb-ass, after all.