Coldheart Canyon by Clive Barker. Part nine. Chapter 1, 2, 3, 4

No wonder Lilith had said, so knowingly, that God sat perfectly well with her. Hadn’t she been his first female creation; the bride for Adam which Yahweh had rejected? Hers the first womb, hers the first egg, hers the first blood shed in pain because a man had made it so.

Tammy looked to see if she could catch a glimpse of the woman one last time, with this new notion in her head.

But the air between where she stood and where the Queen of Hell had been standing was a maze of petals, flies, birds, seeds, scales and flakes of cooked corruption. Lilith was out of sight, and Tammy knew that if she was lucky she would never have occasion to look into the woman’s eyes again.

THREE

Upstairs, in the great bed in the master bedroom, Katya had woken from one of the most restorative slumbers she’d enjoyed in years. No nightmares; not even dreams. Just a deep sense of well-being, knowing that she had finally found the man with whom to share the years in the privacy of the Canyon.

A moment later, the comforts of her waking-state were dashed. The bed beside her was cold and empty and she heard voices; strangers in her house. That there might be people in the kitchen or the dining room would have been bad enough, but she knew instinctively where the voices were coming from. They were way downstairs, in that room, and given that Todd was not beside her, he was probably down there with them. The thought did not comfort her.

She understood all too well the claim that place had. Nor did it play favorites. It beguiled, with equal eloquence, the genius and the dullard, the intellectual and the sensualist. She’d seen it happen over and over again. Lord knows, she’d had fixes enough from it herself over the years. It had kept her beautiful, kept her strong. But for her being in the room was merely a function of cosmetics: it wiped away the years. Though perhaps it was truly was the Devil’s Country, she attached no great metaphysical significance to the place. It was her beauty parlor, nothing more. And if there were people in there now, using up her dwindling sum of perfection, then she wanted them out! Out!

She got up and started to dress, going over the events of the previous evening as she did so. There was only one person she knew who might have seduced Todd away from her side: Tammy, the bitch who’d taken him away last time. For some reason Todd felt some sentimental attachment to Tammy. There was nothing wrong with that, in principle. It proved he had a heart. But the woman had no place in the scheme of things from this point on. She’d served her minor purpose; it was time she was removed.

Dressed now, Katya went to the mirror. The sleep had done her good. There was a luminosity in her eyes that had not been there for many years. She could even bring herself to turn on a smile.

It was unfortunate, she thought as she stepped out onto the landing, but there were bound to be these little challenges at the outset. Nothing, however, was going to get between her and her paradise. Zeffer had tried, and Zeffer was dead. This woman would probably try too, but she’d end up the same way he had. And, if things really went well, the killing blow would come from Todd. That would make things perfect: if he found the weapon and struck her down. It was essential to make him understand that anyone who endangered their little paradise would have to be killed. And there was nothing better for the cementing of a relationship than to spill a little blood together.

Eppstadt had sent Pickett, the woman and Brahms running; but he’d stayed awhile to torment the strange woman he’d conjured up.

It wasn’t often he tangled with a woman whose intellect he respected. For a time Columbia had been run by just such a woman, Dawn Steel, and Eppstadt had always enjoyed a good debate with her. But she’d died of brain cancer, at some absurdly young age, the loss had saddened him. True, there were a couple of actresses who had the wit to hold his attention for more than a sentence — Jamie Lee Curtis was surprisingly sharp, Susan Sarandon and Jodie Foster were worth his time; but mostly they were little more than bodies to him. So where, as he’d already asked himself, had he found the raw material for this baroque fantasy called Lilith? It wasn’t just the beauty and eloquence of the woman, it was the whole implausible world that surrounded her, like an MGM musical designed by Heironymus Bosch.

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