COUNT ZERO by William Gibson

Much later, Turner sat with Sally on the front porch. The girl had lapsed, finally, into something Rudy’s EEG called sleep. Rudy was back in one of his workshops, pmbably with his bottle of vodka. There were fireflies around the hon- eysuckle vines beside the chainlink gate Turner found that if he half closed his eyes, from his seat on the wooden porch swing, he could almost see an apple’ tree that was no longer there, a tree that had once supported a length of silvery-gray hemp rope and an ancient automobile tire There were fire- flies then as well, and Rudy’s heels thumping a bare hard skid of earth as he pumped himself out on the swing’s arc, legs kicking, and Turner lay on his back in the grass, watching the stars. . “Tongues,” Sally said, Rudy’s woman, from the creaking rattan chair, her cigarette a red eye in the dark “Talking in the tongues.” “What’s that?” “What your kid was doing, upstairs. You know any French?” “No, not much. Not without a lexicon.” “Some of it sounded French to me.” The red amber was a short slash for an instant, when she tapped ash “When I was little, my old man took me one time to this stadium, and I saw the testifying and the speaking in tongues. It scared me I think it scared me more, today, when she started “Rudy taped the end of it, didn’t he?” “Yeah. You know, Rudy hasn’t been doing too good. That’s mainly why I moved back in here. I told him I wasn’t staying unless he straightened himself out, but then it got real bad, so about two weeks ago I moved back in. I was about ready to go when you showed up” The coal of the cigarette arced out over the railing and fell on the gravel that covered the yard. “Drinking?” “That and the stuff he cooks for himself in the lab You know, that man knows a little bit of damn near everything. He’s still got a lot of friends, around the county; I’ve heard `em tell stories about when you and him were kids, before you left.” “He should have left, too,” he said. “He hates the city,” she said. “Says it all comes in on line anyway, so why do you need to go there?” “I went because there was nothing happening here Rudy could always find something to do. Still can, by the look of it.”

“You should’ve stayed in touch. He wanted you here when your mother was dying.” “I was in Berlin. Couldn’t leave what I was doing “I guess not. I wasn’t here then either I came later. That was a good summer. Rudy just pulled me out of this sleaze- ass club in Memphis; came in there with a bunch of country boys one night. and next day I was back here, didn’t really know why. Except he was nice to me, those days, and funny, and he gave my head a chance to slow down. He taught me to cook.” She laughed. “I liked that, except I was scared of those Goddamn chickens out back.” She stood up then and stretched, the old chair creaking, and he was aware of the length of her tanned legs, the smell and summer heat of her, close to his face. She put her hands on his shoulders. His eyes were level with the band of brown belly where her shorts rode low, her navel a soft shadow, and remembering Allison in the white hollow room, he wanted to press his face there, taste it all . He thought she swayed slightly, but he wasn’t sure. “Turner,” she said, “sometimes bein’ here with him, it’s like bein’ here alone . So he stood, rattle of the old swing chain where the eye- bolts were screwed deep in the tongue and groove of the porch roof, bolts his father might have turned forty years before, and kissed her mouth as it opened, cut loose in time by talk and the fireflies and the subliminal triggers of mem- ory, so that it seemed to him, as he ran his palms up the warmth of her bare back, beneath the white T-shirt, that the people in his life weren’t beads strung on a wire of sequence, but clustered like quanta, so that he knew her as well as he’d known Rudy, or Allison, or Conroy, as well as he knew the girl who was Mitchell’s daughter. “Hey,” she whispered, working her mouth free, “you come upstairs now “

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