COUNT ZERO by William Gibson

Bobby decided that the place was still scary, now that he had it to himself, but that it was interesting enough to make the scariness worthwhile. He wandered up and down behind the bar, touching the handles of the beer taps and the chrome drink nozzles. There was a machine that made ice, and another one that dispensed boiling water. He made himself a cup of Japanese instant coffee and sorted through Jammer’s file of audio cassettes. He’d never heard of any of the bands or artists. He wondered whether that meant that Jammer, who was old, liked old stuff, or if this was all really new stuff that wouldn’t filter out to Barrytown, probably by way of Leon’s, for another two weeks. . . . He found a gun under the black and silver universal credit console at the end of the bar, a kind of fat little machine gun with a magazine that stuck straight down out of the handle. It was stuck under the bar with a strip of lime-green Velcro, and he didn’t think it was a good idea to touch it. After a while, he didn’t feel frightened anymore, just kind of bored and edgy. He took his cooling coffee and walked out into the middle of the seating area. He sat at one of the tables and pretended he was Count Zero, top console artist in the Sprawl, waiting for some dudes to show and talk about a deal, some run they needed done and nobody but the Count was even remotely up for it. “Sure,” he said, to the empty nightclub, his eyes hooded, “I’ll cut it for you. . . . If you got the money….” They paled when he named his price. The place was soundproofed; you couldn’t hear the bustle of the fourteenth floor’s stalls at all, only the hum of some kind of air conditioner and the occasional gurgles of the hot-water machine. Tired of the Count’s power plays, Bobby left the coffee cup on the table and crossed to the entrance- way, running his hand along an old stuffed velvet rope that was slung between polished brass poles. Careful not to touch the glass doors themselves, he settled himself on a cheap steel stool with a tape-patched leatherette top, beside the coat- check window A dim bulb burned in the coatroom; you could see a couple of dozen old wooden hangers dangling from steel rods, each one hung with a round yellow hand- numbered tag. He guessed Jammer sat here sometimes to check out the clientele. He didn’t really see why anybody who’d been a shithot cowboy for eight years would want to run a nightclub, but maybe it was sort of a hobby. He guessed you could get a lot of girls, running a nightclub, but he’d assumed you could get a lot anyway if you were rich. And if Jammer had been a top jock for eight years, Bobby figured he had to be nch . He thought about the scene in the matnx, the gray patches and the voices. He shivered. He still didn’t see why it meant Lucas was dead. How could Lucas be dead? Then he remem- bered that his mother was dead, and somehow that didn’t seem too real either. Jesus. It all got on his nerves. He wished he were outside, on the other side of the doors, checking out the stalls and the shoppers and the people who worked there He reached out and drew the velour curtain aside, just wide enough to peer out through the thick old glass, taking in the rainbow jumble of stalls and the charactenstic grazing gait of the shoppers. And framed for him, square in the middle of it all, beside a table jammed with surplus analog VOM’s, logic probes, and power conditioners, was the raceless, bone-heavy face of Leon, and the deepset, hideous eyes seemed to look into Bobby’s with an audible click of recognition. And then Leon did something Bobby couldn’t remember ever having seen him do. He smiled

THE JAL STEWARD offered her a choice of simstim cassettes: a tour of the Foxton retrospective at the Tate the previous August, a period adventure taped in Ghana (Ashanu!), high- lights from Bizet’s Carmen as viewed from a private box at the Tokyo Opera, or thirty minutes of Tally Isham’s syndi- cated talk show Top People. “Your first shuttle flight, Ms. Ovski?” Marly nodded. She’d given Paleologos her mother’s maiden name, which had probably been stupid. The steward smiled understandingly “A cassette can defi- nitely ease the lift-off. The Carmen’s very popular this week. Gorgeous costumes, I understand.” She shook her head, in no mood for opera She loathed Foxton, and would have preferred to feel the full force of acceleration rather than live through Ashanti! She took the Isham tape by default, as the least of four evils. The steward checked her seat harness, handed her the cassette and a little throwaway tiara in gray plastic, then moved on. She put the plastic trode set on, jacked it into the seat arm, sighed, and slotted the cassette in the opening beside the jack The interior of the JAL shuttle vanished in a burst of Aegean blue, and she watched the words TALLY ISHAM’S TOP PEOPLE expand across the cloudless sky in elegant sans-serif capitals. Tally Isham had been a constant in the stim industry for as long as Marly remembered, an ageless Golden Girl who’d come in on the first wave of the new medium. Now Marly found herself locked into Tally’s tanned, lithe, tremendously comfortable sensorium. Tally Isham glowed, breathed deeply and easily, her elegant bones riding in the embrace of a musculature that seemed never to have known tension. Ac- cessing her stim recordings was like falling into a bath of perfect health, feeling the spring in the star’s high arches and the jut of her breasts against the silky white Egyptian cotton of her simple blouse. She was leaning against a pocked white balustrade above the tiny harbor of a Greek island town, a cascade of flowering trees falling away below her down a hillside built from whitewashed stone and narrow, twisting stairs A boat sounded in the harbor “The tourists are hurrying back to their cruise ship now,” Tally said, and smiled; when she smiled, Marly could feel the smoothness of the star’s white teeth, taste the freshness of her mouth, and the stone of the balustrade was pleasantly rough against her bare forearms. “But on~ visitor to our island will be staying with us this afternoon, someone I’ve longed to meet, and I’m sure that you’ll be delighted and surprised. as he’s someone who ordinarily shuns major media coverage She straightened, turned, and smiled into the tanned, smiling face of Josef Virek Marly tore the set from her forehead, and the white plastic of the JAL shuttle seemed to slam into place all around her Warning signs were blinking on the console overhead, and she could feel a vibration that seemed to gradually rise in pitch . Virek? She looked at the trode set. “Well,” she said, “I suppose you are a top person “I beg your pardon?” The Japanese student beside her bobbed in his harness in a strange little approximation of a bow. “You are in some difficulty with your stim’~” “No, no,” she said. “Excuse me.” She slid the set on again and the interior of the shuttle dissolved in a buzz of sensory static, a jamng mdange of sensations that abruptly gave way to the calm grace of Tally Isham, who had taken Virek’s cool, firm hand and was smiling into his soft blue eyes. Virek smiled back, his teeth very white “Delighted to be here, Tally.” he said, and Marly let herself sink into the reality of the tape, accepting Tally’s recorded sensory input as her own. Stim was a medium she ordinarily avoided, some- thing in her personality conflicting with the required degree of passivity. Virek wore a soft white shirt, cotton duck trousers rolled to just below the knee, and very plain brown leather sandals. His hand still in hers, Tally returned to the balustrade “I’m sure, ` she said, “that there are many things our audience” The sea was gone. An irregular plain covered in a green- black growth like lichen spread out to the horizon, broken by the silhouettes of the neo-Gothic spires of Gaudi’s church of the Sagrada Familia. The edge of the world was lost in a low bright mist, and a sound like drowned bells tolled in across the plain. “You have an audience of one, today,” Virek said, and looked at Tally Isham through his round, rimless glasses. “Hello, Marly.” Marly struggled to reach the trodes, but her artns were made of stone. G-force, the shuttle lifting off from its con- crete pad . . He’d trapped her here “I understand,” said Tally, smiling, leaning back against the balustrade, her elbows on warm rough stone. “What a lovely idea Your Marly, Herr Virek, must be a lucky girl indeed ..” And it came to her, to Marly, that this wasn’t Sense/Net’s Tally Isham, but a part of Virek’s construct, a programmed point of view worked up from years of Top People, and that now there was no choice, no way out, except to accept it, to listen, to give Virek her attention. The fact of his having caught her here, pinned her here this way, told her that her intuition had been correct: The machine, the struc- ture, was there, was real. Virek’s money was a sort of universal solvent, dissolving barriers to his will “I’m sorry,” he said, “to learn that you are upset Paco tells me that you are fleeing from us, but I prefer to see it as the drive of an artist toward her goal. You have sensed, I think, something of the nature of my gestalt, and it has frightened you As well it should. This cassette was prepared an hour before your shuttle was scheduled to lift off from Orly. We know your destination, of course, but I have no intention of following you. You are doing your job. Marly. I only regret that we were unable to prevent the death of your friend Alain, but we now know the identity of his killers and their employers . . Tally Isham’s eyes were Marly’s eyes now, and they were locked with Virek’s, a blue energy burning there. “Alain was murdered by the hired agents of Maas Biolabs,” he continued, “and it was Maas who provided him with the coordinates of your current destination, Maas who gave him the hologram you saw. My relationship with Maas Biolabs has been ambivalent, to say the least. Two years ago a subsidiary of mine attempted to buy them out. The sum involved would have affected the entire global economy. They refused. Paco has determined that Alain died because they discovered that he was attempting to market the informa- tion they had provided, market it to third parties . ” He frowned. “Exceedingly foolish, because he was utterly igno- rant of the nature of the product he was offering How like Alain, she thought, and felt a wave of pity. Seeing him curled there on the hideous carpet, his spine outlined beneath the green fabric of his jacket . “You should know, I think, that my search for our boxmaker involves more than art, Marly.” He removed his glasses and polished them in a fold of his white shirt; she found some- thing obscene in the calculated hurhanity of the gesture. “I have reason to believe that the maker of these artifacts is in some position to offer me freedom. Marly. I am not a well man.” He replaced the glasses, settling the fine gold ear- pieces carefully. “When I last requested a remote visual of the vat I inhabit in Stockholm, I was shown a thing like three truck trailers, lashed in a dripping net of support lines . . . If I were able to leave that, Marly, or rather, to leave the riot of cells it contains . . . Well’ `he smiled his famous smile again’ `what wouldn’t I pay?” And Tally-Marly’s eyes swung to take in the expanse of dark lichen and the distant towers of the misplaced cathedral .

Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76

Leave a Reply 0

Your email address will not be published. Required fields are marked *