Cradle by Arthur Clarke

It probably took an entire minute for Nick to comprehend the sight he was seeing. A man, a distinguished-looking man in his early fifties, wearing a custom-made tan tuxedo and sporting an amazing sapphire ring on his little finger, came down the staircase and put his arms around Monique’s waist. She reached up and kissed him. He smiled and waved at the crowd as they politely applauded. They walked down the stairs together to the living room.

Who is that? Nick thought to himself and even through the gin and the vermouth and all the incredible feelings the answer came back, That is her husband, Aaron. What is he doing here? Why didn’t she tell me? And then, following very swiftly, How could she do this to me? I love her and she loves me and there is something very very wrong. This cannot be happening.

Nick tried to breathe but felt as if a large piece of earth-moving machinery were pressed against his chest. Instinctively he turned away from the sight of Monique and Aaron walking down the stairs arm in arm. As he did he spilled part of a martini on Anne’s shoulder. His apology was very clumsy. Now completely discombobulated, he stumbled over to the bar, trying desperately to breathe and to stop the pounding in his chest. No. No. She can’t be doing this. There must be some mistake. His mind could not read the message that his eyes were transmitting. He drank another martini swiftly, barely aware of his surroundings or the jumbled feelings torturing his soul.

“There he is.” He heard her voice behind him, the voice that had come to signify everything that was valuable and important in life, the voice of love. But this time he was terrified. Nick turned and Monique and Aaron were standing right in front of him.

“So finally I get to meet this young man I’ve heard so much about,” he said. Aaron was pleasant, friendly, without a trace of anything but gratitude in his voice. Aaron Silver was holding out his hand. Monique was smiling. God, she’s so beautiful. Even now, when I should hate her. Nick mechanically shook Aaron’s hand and quietly accepted his thanks for “helping Teresa at a difficult time.” Nick said nothing. He turned to look at Monique. She reached up and kissed him on the cheek. Oh those lips. How I long still for those lips. Why? Why? What happens to us now?

Nick suddenly realized that there were tears in his eyes. Ohmygod . I’m going to cry. Embarrassed beyond measure, Nick abruptly excused himself and walked out onto the patio. Now the tears were running down his cheeks. He was afraid he was going to sit down on the grass and start bawling like a baby Confused, puzzled, he walked around the garden with his head down and tried, without success, to draw a regular breath.

He felt a hand on his elbow. It was Jane, the last person on Earth that Nick wanted to see at this moment. “She’ll be out to see you in a few minutes. First she and Aaron have to make the rounds, you know how it is at parties when you’re the hostess.” Jane lit a cigarette. Nick was certain he was going to puke. He turned quickly to ask her to put out the cigarette and he lost his equilibrium.

Maybe it was the drink, maybe the adrenaline, maybe it was just too much. Nick’s head was spinning around and around. He inadvertently leaned against Jane for support. She misunderstood, and then pulled his head to her shoulder. “There, there,” she said. “Don’t take it so hard. You and Monique will still be able to have some time together. Aaron will only be here for a couple of days and then he’ll go back to Montreal to work. Besides,” she said with gusto, “if you’re anywhere near as good as Monica says you are, I’d be delighted to take care of you when she’s with Aaron.”

Nick pushed her away and staggered back. He felt as if he had just been hit in the face with a sledgehammer. The full impact of Jane’s comment sunk in slowly and an uncontrollable mixture of anger and hurt surged to the surface. What? What? She knows. This cloying bitch knows. Maybe they all know. What? Fuck. Fuck this altogether. And then, almost immediately, as his mind began to take the measure of the evening’s events, How do I get out of here? Where is the exit? As he walked around the house to the front (he was not about to go inside again), from deep inside Nick there now came a sound, a sound that welled up to the surface and could not be contained. This was the wail of pain, the unmitigated and ineluctable cry of the animal in total despair. Millennia of acculturation have made it rare to hear such cries from human beings. But this loud and untoward scream, which rose into the Palm Beach night like a siren from a police car, gave Nick his first comfort. While the partygoers were trying to decide what they had heard, Nick climbed into his 1977 Pontiac and drove away.

He drove south toward Fort Lauderdale, his heart still pumping like crazy and his body trembling from adrenaline. He didn’t think about anything coherently. The pictures in his mind seemed to come at random, without any clear connection between them. Monique was the focus of all the pictures in the montage. Monique in her Alaskan seal coat, Monique in her red and white bathing suit, Monique in her dress tonight (Nick winced, for just off-screen left in his mind’s eye, he could see Aaron coming down the stairs). Had it all been meaningless? Was it just a game? Nick was too young to know about the grays of life. For him it was a simple question of black or white. It was either wonderful or it was shit. Monique either loved him passionately and wanted to give up her luxurious life to marry him, or she was just using him to satisfy her sexual needs and her ego. So, he concluded, as he arrived at his uncle’s condominium in Fort Lauderdale, I was another of her toys. I was like her furs and horses and yachts and clothes. I made her feel good.

Disgusted with himself, depressed beyond belief, a headache starting to tear his brain apart from the martinis, Nick rapidly packed his clothes. He didn’t bathe or eat. He took his two suitcases down to the car, left the rented tuxedo with the managers of the complex, and drove out toward Interstate 95. A couple of miles before he reached the freeway, Nick pulled the car off on the shoulder and allowed himself a few tears. That was all. The external hardness that would characterize the next ten years of his life began at that moment. Never again, he said to himself. I will never again let some bitch make a fool of me. No way, Jose`.

Ten years later, early on a March morning in his condominium in Key West, Nick Williams would idly play with a metallic golden object sitting on his coffee table and experience again the terrible pain of seeing Monique with her husband at that party. Wistfully, with some mature chagrin, he would remember also how, when he reached 1-95, he turned left and south toward Miami and the Keys instead of right and north toward Boston. He couldn’t have explained why at the time. He might have said that Harvard was trivial after Monique or that he wanted to study life and not books. He didn’t understand that his need to start absolutely fresh came from the fact that he could not face himself.

He had not played the memory of Monique through from start to finish for five years. This morning, for the first time, Nick had been able to distance himself from the recalled emotions, ever so slightly, and to see the entire affair with a tiny bit of perspective. He recognized that his blind youthful passion had set him up for the anguish, but he was still reluctant to find Monique faultless. At least the memory no longer destroyed him. He picked up the trident and walked to the window. Maybe it’s all coming together now, he said to himself. A new treasure. A final molting of the last adolescent angst. He thought about Carol Dawson. She was vexing but her intensity fascinated him. Always the dreamer, Nick visualized Carol in his arms and imagined the warmth and softness of her kiss.

3

CAROL watched in fascination as the octopus captured its prey with its long tentacles. “Imagine what it would be like to have eight arms,” Oscar Burcham said. “Just think of the brain architecture necessary to separate all the inputs, to identify which stimulus was coming from which limb, to coordinate all the tentacles in defense or acquisition of food.”

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