CRADLE OF SATURN BY JAMES P. HOGAN

The proportions of light and dark making up the days changed according to whether the Sun was visible as well as Neveya, and in what situation—which varied with the seasons. The “blue hours” came when the Sun shone from the far side of Neveya, transforming its normally orange glow into a black shadow cast across the Golden Ocean. At certain times in the course of the year, as the Ocean crossed past the world during the blue hours, the Sun would vanish behind Neveya completely, turning day abruptly into darkest night. These were the times when the other worlds that moved about Neveya revealed themselves in their full glories of form and color. They were known as the days of “Dark Crossings.” Multitudes would come from afar to Iryon to attend the rites and ceremonies that took place on these occasions.

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The pyramid was built such that, from the Eye Stone at the center of the semicircle of astronomers and priests where the Speaker of Neveya stood, the orb was seen as if supported on its apex like a cloud grazing a mountain. Since Neveya never changed her position in the sky, the disk remained balanced in that manner always, varying only from yellow jewel through shrinking face to waning crescent as the Sun rode its distant course about both her and the world, and the celestial Ocean rose and dipped through its daily cycle. As the moment of the Dark Crossing approached, she glowered at the world with full face, black and featureless, fading into the glare as the Sun touched her shoulder.

The crowds assembled on the slopes were hushed as the Speaker intoned the Verses of Passage. Around the temple and across the city below, torches had been lit in readiness for the Darkness. At the top of the pyramid, Neveya reappeared suddenly out of the glare as a black arc sliding across the Sun, her shadow lying now like a black ray cut out of the Ocean, moment by moment advancing closer. When it fell across the world, connecting it to Neveya like a bridge spanning the Ocean, then, it was taught, the souls whose time had come to return would depart on their journey.

A murmuring of awe and wonder, more a wind than a sound, stirred through the crowd as the sky darkened. The astronomers readied their instruments and recording tablets, while the Speaker turned, opening his robed arms wide to greet the spectacle. For an instant Neveya’s outline flared into a thin curve of light as if the extinguishing Sun were trying to claw its way back around the edge. . . .

And then all the light went from the sky, and the stars appeared. Above and to one side of Neveya, the pink globe of Jenas became visible, while beyond it Sephelgo’s white-veined features shone as crescents of crystal. Lower was Aniar, graying and mottled, swimming to the side of Neveya, transfixed by the spear of the celestial sea seen edgewise, with the white speck of Delem farther out still along the same line. As the astronomers peered and recited their measures, scribes marked the stone that would later be cut for incorporation into the records.

The picture showed a disk pierced by a shallowly sloping line, standing on an arrowhead. Smaller circles showed the other visible worlds and their dispositions, with major stars represented by their symbols. A table incised beneath the design gave precise directions and elevations.

PART ONE: JUPITER—Creator of Worlds

1

Almost twenty years before, as a nineteen-year-old engineering student at college, Landen Keene had astounded drivers on the interstate near the campus by overtaking them with ease in a 1959 Nash Rambler body fixed to a reinforced chassis on racing suspension, mounting an L88 Corvette engine. He had also more than impressed the two state troopers who handed him a ticket, but they were unable to cite his handiwork on a single safety violation. One of them had even indicated interest if Keene ever found himself of a mind to sell. “Keep at it, kid,” he had told Keene. “One day you’ll make a damned good engineer—supposin’ you live long enough, of course, that is.”

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