DEAN R.KOONTZ. SOFT COME THE DRAGONS

“The film,” Modigliani said, returning to the library.

Ti floated quickly after him, but was too late. When he came through the library doors, the detective had removed the film from the projector and was returning. “You can’t have that!” Ti snapped.

“On the contrary. We’ll have to study it to see if it was faked. I don’t know what you have against Mr. Margle that would lead you to the construction of such a plan to discredit him, but if falsification of film intended as evi­dence has taken place, we will be in contact with you.”

And he was gone. Ti stood at the window watching him go, knowing full well that the film would be destroyed be­tween here and the police headquarters and that Detec­tive Modigliani would get a bonus from the Dark Brethren this month.

He returned to Mindlink and called Taguster’s house. The android was there, reading a book, apparently. It spoke to him as if he didn’t know it was the android, asked him how he had been getting along. He didn’t bother to answer. He went from room to room, but he could find nothing. He slipped out of the Taguster house and into his own set, removing the helmet.

It was two o’clock in the morning. And Margle was on his way . . .

There were preparations to be made. The police were not going to be any good. There was no hope that they would help. He knew without need of further corroboration, that any further calls he made to the police would be automatically routed to Modigliani, who would see that he was given the brush-off. So he had to defend himself. He had a collection of pin and dart weapons with which he amused himself in the basement shooting range. He collected three of these and brought them upstairs. He carried books into the kitchen and braced one of the weap­ons between them so that it covered the door at waist height. That he could trigger with his psionic talents if necessary. He took the other two and grasped one firmly in each servo. There was nothing more but waiting . . .

He heard them in the courtyard behind the house. They were not attempting to be quiet. Their aide Modigliani had probably assured them that the police would stay out of it and that Ti was helpless. He stood at the doorway be­tween kitchen and dining area, both gun-laden servos aimed at the door, his psi ready to trigger the book-propped weapon too. The door rattled. Then something struck it hard. It crashed inward, the lock ripped lose, and a Hound floated into the room.

But the Hound was smashed, broken back at Taguster’s!

Which meant they had more than one Hound. With con­tacts like Modigliani, that was not surprising.

But his guns were no good! The pins would bounce harmlessly off the Hound’s “hide,” and the beast would sweep in for a swift and sure kill. Ti turned into the dining area, dropping the guns and calling his servos after him. He had expected men, not machines. Now what? He heard the Hound in the kitchen, but it didn’t remain there for long. When he reached the living room, it was humming into the dining area, following him.

He felt panic welling in him as he remembered the pin-punctured throat of the musician, the bloody body of his lover as she had tried to crawl out of the window to avoid the alloy demon. The same alloy demon that now stalked him. But he fought the panic, knowing only death lay with it.

The Hound entered the living room and sensed his pres­ence, swept him with its tiny cameras and radar grids, ascertaining if he were the quarry . . .

His mind raced to find an escape. The house, the great house that was almost a womb for him was highly equipped to contain him in complete luxury, but it wasn’t equipped to afford him escape from death. The house would be sur­rounded by Margle and his men; therefore, the doors were useless. Then he remembered the cellars upon which the house had been built, the dozen rooms that had served as a Revolutionary War Tory supplies depot. If he could get into those, there were any number of outlets onto other places on the mountain.

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