DIAMONDS ARE FOREVER BY IAN FLEMING

There was a crash as the chair splintered under the fat man, and a rasping noise, and then a drumming on the floor.

Bond looked once and then turned away towards the open porthole.

For a while he stood with his back to the room, staring at the softly swaying curtains. He gulped down the air and listened to the beautiful sea-sounds from the world outside dial still belonged to him and to Tiffany, but not to the two others. Very slowly his body and his strung nerves relaxed.

After a time he pulled the knife out of his shirt. He didn’t look at it, but reached up and drew the curtain aside and threw the knife far out into the blackness. Then, still looking out into the quiet night, he put up the safe of the Beretta and, with a hand that suddenly seemed as heavy as lead, slowly thrust the gun back into the waistband of his trousers.

Almost reluctantly he turned back and faced the shambles of the cabin. He looked it over thoughtfully and with an unconscious gesture he wiped his hands down his flanks. Then he carefully picked his way across the floor to the bathroom and said, “It’s me, Tiffany,” in a tired, flat voice and opened the door.

She hadn’t heard his voice. She was lying face downwards in the empty bath with her hands over her ears, and when he had half-lifted her out and had taken her into his arms, she still couldn’t believe it but clung to him and then slowly explored his face and his chest with her hands to make sure it was true.

He flinched as her hand touched his cut rib and she broke away from him and looked at his face and then at the blood on her fingers and then at his scarlet shirt.

“Oh, God. You’re hurt,” she said flatly, and her nightmares were forgotten as she took off his shirt and washed the gashed rib with soap and water and bound it with strips of towel cut with one of the dead men’s razor blades.

She still asked no questions when Bond collected her clothes from the floor of the cabin and gave them to her and told her not to come out until he was ready and to clean up everything and wipe every object she had touched to kill the fingerprints.

She just stood and looked at him with her eyes shining. And when Bond kissed her on the lips she still said nothing.

Bond gave her a reassuring smile and walked out and shut the door of the bathroom behind him and went about his business, doing everything with great deliberation and pausing before each move so as to examine its effect on the eyes and minds of the detectives who would come on board at Southampton.

First he tied an ashtray in his bloodstained shirt to weight it and went to the porthole and threw the shirt as far out as he could. The men’s tuxedos were hanging behind the door. He took the handkerchiefs out of the breast pockets and wrapped them round his hands and searched through the cupboards and the chest of drawers until he found the white-haired man’s evening shirts. He put one on and stood for a moment in the centre of the cabin thinking. Then he gritted his teeth and heaved the fat man into a sitting position, took off the fat man’s shirt and went to the porthole and took out his Beretta, held it against the small hole over the heart of the shirt and fired another bullet through the hole. Now there was a smoke smudge round the hole to look like suicide. He dressed the corpse again in its shirt, wiped his Beretta thoroughly, pressed the ringers of the dead man’s right hand all over it, and finally fitted the gun into his hand with the index finger on the trigger.

After another pause in the middle of the room, he took Kidd’s tuxedo down from its hook and dressed the corpse of Kidd in it. Then he dragged the man across the floor to the porthole and, sweating with the effort, heaved him up into the porthole and pushed him through.

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