Dickens, Charles – The Uncommercial Traveller

to shake the bits of matting which were spread in the church

aisles, and they afterwards rolled them up, he rolling his end, she

rolling hers, until they met, and over the two once divided now

united rolls – sweet emblem! – gave and received a chaste salute.

It was so refreshing to find one of my faded churchyards blooming

into flower thus, that I returned a second time, and a third, and

ultimately this befell:- They had left the church door open, in

their dusting and arranging. Walking in to look at the church, I

became aware, by the dim light, of him in the pulpit, of her in the

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Dickens, Charles – The Uncommercial Traveller

reading-desk, of him looking down, of her looking up, exchanging

tender discourse. Immediately both dived, and became as it were

non-existent on this sphere. With an assumption of innocence I

turned to leave the sacred edifice, when an obese form stood in the

portal, puffily demanding Joseph, or in default of Joseph, Celia.

Taking this monster by the sleeve, and luring him forth on pretence

of showing him whom he sought, I gave time for the emergence of

Joseph and Celia, who presently came towards us in the churchyard,

bending under dusty matting, a picture of thriving and unconscious

industry. It would be superfluous to hint that I have ever since

deemed this the proudest passage in my life.

But such instances, or any tokens of vitality, are rare indeed in

my City churchyards. A few sparrows occasionally try to raise a

lively chirrup in their solitary tree – perhaps, as taking a

different view of worms from that entertained by humanity – but

they are flat and hoarse of voice, like the clerk, the organ, the

bell, the clergyman, and all the rest of the Church-works when they

are wound up for Sunday. Caged larks, thrushes, or blackbirds,

hanging in neighbouring courts, pour forth their strains

passionately, as scenting the tree, trying to break out, and see

leaves again before they die, but their song is Willow, Willow – of

a churchyard cast. So little light lives inside the churches of my

churchyards, when the two are co-existent, that it is often only by

an accident and after long acquaintance that I discover their

having stained glass in some odd window. The westering sun slants

into the churchyard by some unwonted entry, a few prismatic tears

drop on an old tombstone, and a window that I thought was only

dirty, is for the moment all bejewelled. Then the light passes and

the colours die. Though even then, if there be room enough for me

to fall back so far as that I can gaze up to the top of the Church

Tower, I see the rusty vane new burnished, and seeming to look out

with a joyful flash over the sea of smoke at the distant shore of

country.

Blinking old men who are let out of workhouses by the hour, have a

tendency to sit on bits of coping stone in these churchyards,

leaning with both hands on their sticks and asthmatically gasping.

The more depressed class of beggars too, bring hither broken meats,

and munch. I am on nodding terms with a meditative turncock who

lingers in one of them, and whom I suspect of a turn for poetry;

the rather, as he looks out of temper when he gives the fire-plug a

disparaging wrench with that large tuning-fork of his which would

wear out the shoulder of his coat, but for a precautionary piece of

inlaid leather. Fire-ladders, which I am satisfied nobody knows

anything about, and the keys of which were lost in ancient times,

moulder away in the larger churchyards, under eaves like wooden

eyebrows; and so removed are those corners from the haunts of men

and boys, that once on a fifth of November I found a ‘Guy’ trusted

to take care of himself there, while his proprietors had gone to

dinner. Of the expression of his face I cannot report, because it

was turned to the wall; but his shrugged shoulders and his ten

extended fingers, appeared to denote that he had moralised in his

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