Dickens, Charles – Pictures from Italy

There is no pasturage near, and they never go out, but are

constantly lying down, and surfeiting themselves with vine-leaves –

perfect Italian cows enjoying the DOLCE FAR’ NIENTE all day long.

They are presided over, and slept with, by an old man named

Antonio, and his son; two burnt-sienna natives with naked legs and

feet, who wear, each, a shirt, a pair of trousers, and a red sash,

with a relic, or some sacred charm like the bonbon off a twelfthcake,

hanging round the neck. The old man is very anxious to

convert me to the Catholic faith, and exhorts me frequently. We

sit upon a stone by the door, sometimes in the evening, like

Robinson Crusoe and Friday reversed; and he generally relates,

towards my conversion, an abridgment of the History of Saint Peter

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Dickens, Charles – Pictures From Italy

– chiefly, I believe, from the unspeakable delight he has in his

imitation of the cock.

The view, as I have said, is charming; but in the day you must keep

the lattice-blinds close shut, or the sun would drive you mad; and

when the sun goes down you must shut up all the windows, or the

mosquitoes would tempt you to commit suicide. So at this time of

the year, you don’t see much of the prospect within doors. As for

the flies, you don’t mind them. Nor the fleas, whose size is

prodigious, and whose name is Legion, and who populate the coachhouse

to that extent that I daily expect to see the carriage going

off bodily, drawn by myriads of industrious fleas in harness. The

rats are kept away, quite comfortably, by scores of lean cats, who

roam about the garden for that purpose. The lizards, of course,

nobody cares for; they play in the sun, and don’t bite. The little

scorpions are merely curious. The beetles are rather late, and

have not appeared yet. The frogs are company. There is a preserve

of them in the grounds of the next villa; and after nightfall, one

would think that scores upon scores of women in pattens were going

up and down a wet stone pavement without a moment’s cessation.

That is exactly the noise they make.

The ruined chapel, on the picturesque and beautiful seashore, was

dedicated, once upon a time, to Saint John the Baptist. I believe

there is a legend that Saint John’s bones were received there, with

various solemnities, when they were first brought to Genoa; for

Genoa possesses them to this day. When there is any uncommon

tempest at sea, they are brought out and exhibited to the raging

weather, which they never fail to calm. In consequence of this

connection of Saint John with the city, great numbers of the common

people are christened Giovanni Baptista, which latter name is

pronounced in the Genoese patois ‘Batcheetcha,’ like a sneeze. To

hear everybody calling everybody else Batcheetcha, on a Sunday, or

festa-day, when there are crowds in the streets, is not a little

singular and amusing to a stranger.

The narrow lanes have great villas opening into them, whose walls

(outside walls, I mean) are profusely painted with all sorts of

subjects, grim and holy. But time and the sea-air have nearly

obliterated them; and they look like the entrance to Vauxhall

Gardens on a sunny day. The court-yards of these houses are

overgrown with grass and weeds; all sorts of hideous patches cover

the bases of the statues, as if they were afflicted with a

cutaneous disorder; the outer gates are rusty; and the iron bars

outside the lower windows are all tumbling down. Firewood is kept

in halls where costly treasures might be heaped up, mountains high;

waterfalls are dry and choked; fountains, too dull to play, and too

lazy to work, have just enough recollection of their identity, in

their sleep, to make the neighbourhood damp; and the sirocco wind

is often blowing over all these things for days together, like a

gigantic oven out for a holiday.

Not long ago, there was a festa-day, in honour of the VIRGIN’S

MOTHER, when the young men of the neighbourhood, having worn green

wreaths of the vine in some procession or other, bathed in them, by

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