Dickens, Charles – Pictures from Italy

and little pinched hat, and in the thread-bare worsted glove with

which he held it – not expressed the less, because these were

evidently his genteel clothes, hastily slipped on – that I would as

soon have trodden on him as dismissed him. I engaged him on the

instant, and he stepped in directly.

While I finished the discussion in which I was engaged, he stood,

beaming by himself in a corner, making a feint of brushing my hat

with his arm. If his fee had been as many napoleons as it was

francs, there could not have shot over the twilight of his

shabbiness such a gleam of sun, as lighted up the whole man, now

that he was hired.

‘Well!’ said I, when I was ready, ‘shall we go out now?’

‘If the gentleman pleases. It is a beautiful day. A little fresh,

but charming; altogether charming. The gentleman will allow me to

open the door. This is the Inn Yard. The court-yard of the Golden

Lion! The gentleman will please to mind his footing on the

stairs.’

We were now in the street.

‘This is the street of the Golden Lion. This, the outside of the

Golden Lion. The interesting window up there, on the first Piano,

where the pane of glass is broken, is the window of the gentleman’s

chamber!’

Having viewed all these remarkable objects, I inquired if there

were much to see in Mantua.

‘Well! Truly, no. Not much! So, so,’ he said, shrugging his

shoulders apologetically.

‘Many churches?’

‘No. Nearly all suppressed by the French.’

‘Monasteries or convents?’

‘No. The French again! Nearly all suppressed by Napoleon.’

‘Much business?’

‘Very little business.’

‘Many strangers?’

‘Ah Heaven!’

I thought he would have fainted.

‘Then, when we have seen the two large churches yonder, what shall

we do next?’ said I.

He looked up the street, and down the street, and rubbed his chin

timidly; and then said, glancing in my face as if a light had

broken on his mind, yet with a humble appeal to my forbearance that

was perfectly irresistible:

‘We can take a little turn about the town, Signore!’ (Si puo far

‘un piccolo giro della citta).

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Dickens, Charles – Pictures From Italy

It was impossible to be anything but delighted with the proposal,

so we set off together in great good-humour. In the relief of his

mind, he opened his heart, and gave up as much of Mantua as a

Cicerone could.

‘One must eat,’ he said; ‘but, bah! it was a dull place, without

doubt!’

He made as much as possible of the Basilica of Santa Andrea – a

noble church – and of an inclosed portion of the pavement, about

which tapers were burning, and a few people kneeling, and under

which is said to be preserved the Sangreal of the old Romances.

This church disposed of, and another after it (the cathedral of San

Pietro), we went to the Museum, which was shut up. ‘It was all the

same,’ he said. ‘Bah! There was not much inside!’ Then, we went

to see the Piazza del Diavolo, built by the Devil (for no

particular purpose) in a single night; then, the Piazza Virgiliana;

then, the statue of Virgil – OUR Poet, my little friend said,

plucking up a spirit, for the moment, and putting his hat a little

on one side. Then, we went to a dismal sort of farm-yard, by which

a picture-gallery was approached. The moment the gate of this

retreat was opened, some five hundred geese came waddling round us,

stretching out their necks, and clamouring in the most hideous

manner, as if they were ejaculating, ‘Oh! here’s somebody come to

see the Pictures! Don’t go up! Don’t go up!’ While we went up,

they waited very quietly about the door in a crowd, cackling to one

another occasionally, in a subdued tone; but the instant we

appeared again, their necks came out like telescopes, and setting

up a great noise, which meant, I have no doubt, ‘What, you would

go, would you! What do you think of it! How do you like it!’ they

attended us to the outer gate, and cast us forth, derisively, into

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