Dickens, Charles – Pictures from Italy

Mantua, and sixty years of age or thereabouts) began TO ASK THE WAY

to Milan.

It lay through Bozzolo; formerly a little republic, and now one of

the most deserted and poverty-stricken of towns: where the

landlord of the miserable inn (God bless him! it was his weekly

custom) was distributing infinitesimal coins among a clamorous herd

of women and children, whose rags were fluttering in the wind and

rain outside his door, where they were gathered to receive his

charity. It lay through mist, and mud, and rain, and vines trained

low upon the ground, all that day and the next; the first sleepingplace

being Cremona, memorable for its dark brick churches, and

immensely high tower, the Torrazzo – to say nothing of its violins,

of which it certainly produces none in these degenerate days; and

the second, Lodi. Then we went on, through more mud, mist, and

rain, and marshy ground: and through such a fog, as Englishmen,

strong in the faith of their own grievances, are apt to believe is

nowhere to be found but in their own country, until we entered the

paved streets of Milan.

The fog was so dense here, that the spire of the far-famed

Cathedral might as well have been at Bombay, for anything that

could be seen of it at that time. But as we halted to refresh, for

a few days then, and returned to Milan again next summer, I had

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Dickens, Charles – Pictures From Italy

ample opportunities of seeing the glorious structure in all its

majesty and beauty.

All Christian homage to the saint who lies within it! There are

many good and true saints in the calendar, but San Carlo Borromeo

has – if I may quote Mrs. Primrose on such a subject – ‘my warm

heart.’ A charitable doctor to the sick, a munificent friend to

the poor, and this, not in any spirit of blind bigotry, but as the

bold opponent of enormous abuses in the Romish church, I honour his

memory. I honour it none the less, because he was nearly slain by

a priest, suborned, by priests, to murder him at the altar: in

acknowledgment of his endeavours to reform a false and hypocritical

brotherhood of monks. Heaven shield all imitators of San Carlo

Borromeo as it shielded him! A reforming Pope would need a little

shielding, even now.

The subterranean chapel in which the body of San Carlo Borromeo is

preserved, presents as striking and as ghastly a contrast, perhaps,

as any place can show. The tapers which are lighted down there,

flash and gleam on alti-rilievi in gold and silver, delicately

wrought by skilful hands, and representing the principal events in

the life of the saint. Jewels, and precious metals, shine and

sparkle on every side. A windlass slowly removes the front of the

altar; and, within it, in a gorgeous shrine of gold and silver, is

seen, through alabaster, the shrivelled mummy of a man: the

pontifical robes with which it is adorned, radiant with diamonds,

emeralds, rubies: every costly and magnificent gem. The shrunken

heap of poor earth in the midst of this great glitter, is more

pitiful than if it lay upon a dung-hill. There is not a ray of

imprisoned light in all the flash and fire of jewels, but seems to

mock the dusty holes where eyes were, once. Every thread of silk

in the rich vestments seems only a provision from the worms that

spin, for the behoof of worms that propagate in sepulchres.

In the old refectory of the dilapidated Convent of Santa Maria

delle Grazie, is the work of art, perhaps, better known than any

other in the world: the Last Supper, by Leonardo da Vinci – with a

door cut through it by the intelligent Dominican friars, to

facilitate their operations at dinner-time.

I am not mechanically acquainted with the art of painting, and have

no other means of judging of a picture than as I see it resembling

and refining upon nature, and presenting graceful combinations of

forms and colours. I am, therefore, no authority whatever, in

reference to the ‘touch’ of this or that master; though I know very

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