Dickens, Charles – Pictures from Italy

with an earthen pot of charcoal ashes in one hand, went up and

down, crying his wares. A pastry-merchant divided his attention

between the scaffold and his customers. Boys tried to climb up

walls, and tumbled down again. Priests and monks elbowed a passage

for themselves among the people, and stood on tiptoe for a sight of

the knife: then went away. Artists, in inconceivable hats of the

middle-ages, and beards (thank Heaven!) of no age at all, flashed

picturesque scowls about them from their stations in the throng.

One gentleman (connected with the fine arts, I presume) went up and

down in a pair of Hessian-boots, with a red beard hanging down on

his breast, and his long and bright red hair, plaited into two

tails, one on either side of his head, which fell over his

shoulders in front of him, very nearly to his waist, and were

carefully entwined and braided!

Eleven o’clock struck and still nothing happened. A rumour got

about, among the crowd, that the criminal would not confess; in

which case, the priests would keep him until the Ave Maria

(sunset); for it is their merciful custom never finally to turn the

crucifix away from a man at that pass, as one refusing to be

shriven, and consequently a sinner abandoned of the Saviour, until

then. People began to drop off. The officers shrugged their

shoulders and looked doubtful. The dragoons, who came riding up

below our window, every now and then, to order an unlucky hackneycoach

or cart away, as soon as it had comfortably established

itself, and was covered with exulting people (but never before),

became imperious, and quick-tempered. The bald place hadn’t a

straggling hair upon it; and the corpulent officer, crowning the

perspective, took a world of snuff.

Suddenly, there was a noise of trumpets. ‘Attention!’ was among

the foot-soldiers instantly. They were marched up to the scaffold

and formed round it. The dragoons galloped to their nearer

stations too. The guillotine became the centre of a wood of

bristling bayonets and shining sabres. The people closed round

nearer, on the flank of the soldiery. A long straggling stream of

men and boys, who had accompanied the procession from the prison,

came pouring into the open space. The bald spot was scarcely

distinguishable from the rest. The cigar and pastry-merchants

resigned all thoughts of business, for the moment, and abandoning

themselves wholly to pleasure, got good situations in the crowd.

The perspective ended, now, in a troop of dragoons. And the

corpulent officer, sword in hand, looked hard at a church close to

him, which he could see, but we, the crowd, could not.

After a short delay, some monks were seen approaching to the

scaffold from this church; and above their heads, coming on slowly

and gloomily, the effigy of Christ upon the cross, canopied with

black. This was carried round the foot of the scaffold, to the

front, and turned towards the criminal, that he might see it to the

last. It was hardly in its place, when he appeared on the

platform, bare-footed; his hands bound; and with the collar and

neck of his shirt cut away, almost to the shoulder. A young man –

six-and-twenty – vigorously made, and well-shaped. Face pale;

small dark moustache; and dark brown hair.

He had refused to confess, it seemed, without first having his wife

brought to see him; and they had sent an escort for her, which had

occasioned the delay.

He immediately kneeled down, below the knife. His neck fitting

into a hole, made for the purpose, in a cross plank, was shut down,

by another plank above; exactly like the pillory. Immediately

below him was a leathern bag. And into it his head rolled

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Dickens, Charles – Pictures From Italy

instantly.

The executioner was holding it by the hair, and walking with it

round the scaffold, showing it to the people, before one quite knew

that the knife had fallen heavily, and with a rattling sound.

When it had travelled round the four sides of the scaffold, it was

set upon a pole in front – a little patch of black and white, for

the long street to stare at, and the flies to settle on. The eyes

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