Miserere. Sometimes, there was a swell of mournful voices that
sounded very pathetic and sad, and died away, into a low strain
again; but that was all we heard.
At another time, there was the Exhibition of Relics in St. Peter’s,
which took place at between six and seven o’clock in the evening,
and was striking from the cathedral being dark and gloomy, and
having a great many people in it. The place into which the relics
were brought, one by one, by a party of three priests, was a high
balcony near the chief altar. This was the only lighted part of
the church. There are always a hundred and twelve lamps burning
near the altar, and there were two tall tapers, besides, near the
black statue of St. Peter; but these were nothing in such an
immense edifice. The gloom, and the general upturning of faces to
the balcony, and the prostration of true believers on the pavement,
as shining objects, like pictures or looking-glasses, were brought
out and shown, had something effective in it, despite the very
preposterous manner in which they were held up for the general
edification, and the great elevation at which they were displayed;
which one would think rather calculated to diminish the comfort
derivable from a full conviction of their being genuine.
On the Thursday, we went to see the Pope convey the Sacrament from
the Sistine chapel, to deposit it in the Capella Paolina, another
chapel in the Vatican; – a ceremony emblematical of the entombment
of the Saviour before His Resurrection. We waited in a great
gallery with a great crowd of people (three-fourths of them
English) for an hour or so, while they were chaunting the Miserere,
in the Sistine chapel again. Both chapels opened out of the
gallery; and the general attention was concentrated on the
occasional opening and shutting of the door of the one for which
the Pope was ultimately bound. None of these openings disclosed
anything more tremendous than a man on a ladder, lighting a great
quantity of candles; but at each and every opening, there was a
terrific rush made at this ladder and this man, something like (I
should think) a charge of the heavy British cavalry at Waterloo.
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Dickens, Charles – Pictures From Italy
The man was never brought down, however, nor the ladder; for it
performed the strangest antics in the world among the crowd – where
it was carried by the man, when the candles were all lighted; and
finally it was stuck up against the gallery wall, in a very
disorderly manner, just before the opening of the other chapel, and
the commencement of a new chaunt, announced the approach of his
Holiness. At this crisis, the soldiers of the guard, who had been
poking the crowd into all sorts of shapes, formed down the gallery:
and the procession came up, between the two lines they made.
There were a few choristers, and then a great many priests, walking
two and two, and carrying – the good-looking priests at least –
their lighted tapers, so as to throw the light with a good effect
upon their faces: for the room was darkened. Those who were not
handsome, or who had not long beards, carried THEIR tapers anyhow,
and abandoned themselves to spiritual contemplation. Meanwhile,
the chaunting was very monotonous and dreary. The procession
passed on, slowly, into the chapel, and the drone of voices went
on, and came on, with it, until the Pope himself appeared, walking
under a white satin canopy, and bearing the covered Sacrament in
both hands; cardinals and canons clustered round him, making a
brilliant show. The soldiers of the guard knelt down as he passed;
all the bystanders bowed; and so he passed on into the chapel: the
white satin canopy being removed from over him at the door, and a
white satin parasol hoisted over his poor old head, in place of it.
A few more couples brought up the rear, and passed into the chapel
also. Then, the chapel door was shut; and it was all over; and
everybody hurried off headlong, as for life or death, to see
something else, and say it wasn’t worth the trouble.