open top far off, as you might have looked up from a well, sunk
under the centre of the pavement of the Pantheon at Rome, had you
the least idea where you were? And when you found yourself
surrounded, in that dome-shaped cavern, by innumerable columns of
an unearthly order of architecture, supporting nothing, and
squeezed close together as if a Pre-Adamite Samson had taken a vast
Hall in his arms and crushed it into the smallest possible space,
had you the least idea what they were? No (says the plate), of
course not! And when you found that each of those pillars was a
pile of ingeniously made vessels of coarse clay – called Saggers –
looking, when separate, like raised-pies for the table of the
mighty Giant Blunderbore, and now all full of various articles of
pottery ranged in them in baking order, the bottom of each vessel
serving for the cover of the one below, and the whole Kiln rapidly
filling with these, tier upon tier, until the last workman should
have barely room to crawl out, before the closing of the jagged
aperture in the wall and the kindling of the gradual fire; did you
not stand amazed to think that all the year round these dread
chambers are heating, white hot – and cooling – and filling – and
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emptying – and being bricked up – and broken open – humanly
speaking, for ever and ever? To be sure you did! And standing in
one of those Kilns nearly full, and seeing a free crow shoot across
the aperture a-top, and learning how the fire would wax hotter and
hotter by slow degrees, and would cool similarly through a space of
from forty to sixty hours, did no remembrance of the days when
human clay was burnt oppress you? Yes. I think so! I suspect
that some fancy of a fiery haze and a shortening breath, and a
growing heat, and a gasping prayer; and a figure in black
interposing between you and the sky (as figures in black are very
apt to do), and looking down, before it grew too hot to look and
live, upon the Heretic in his edifying agony – I say I suspect
(says the plate) that some such fancy was pretty strong upon you
when you went out into the air, and blessed God for the bright
spring day and the degenerate times!
After that, I needn’t remind you what a relief it was to see the
simplest process of ornamenting this ‘biscuit’ (as it is called
when baked) with brown circles and blue trees – converting it into
the common crockery-ware that is exported to Africa, and used in
cottages at home. For (says the plate) I am well persuaded that
you bear in mind how those particular jugs and mugs were once more
set upon a lathe and put in motion; and how a man blew the brown
colour (having a strong natural affinity with the material in that
condition) on them from a blowpipe as they twirled; and how his
daughter, with a common brush, dropped blotches of blue upon them
in the right places; and how, tilting the blotches upside down, she
made them run into rude images of trees, and there an end.
And didn’t you see (says the plate) planted upon my own brother
that astounding blue willow, with knobbed and gnarled trunk, and
foliage of blue ostrich feathers, which gives our family the title
of ‘willow pattern’? And didn’t you observe, transferred upon him
at the same time, that blue bridge which spans nothing, growing out
from the roots of the willow; and the three blue Chinese going over
it into a blue temple, which has a fine crop of blue bushes
sprouting out of the roof; and a blue boat sailing above them, the
mast of which is burglariously sticking itself into the foundations
of a blue villa, suspended sky-high, surmounted by a lump of blue
rock, sky-higher, and a couple of billing blue birds, sky-highest –
together with the rest of that amusing blue landscape, which has,
in deference to our revered ancestors of the Cerulean Empire, and