Nowhere more altered, perhaps, about a hundred years ago, than in one little orchard attached to an old stone house with a honeysuckle porch; where, on a bright autumn morning, there were sounds of music and laughter, and where two girls danced merrily together on the grass, while some half-dozen peasant women standing on ladders, gathering the apples from the trees, stopped in their work to look down, and share their enjoyment. It was a pleasant, lively, natural scene; a beautiful day, a retired spot; and the two girls, quite unconstrained and careless, danced in the freedom and gaiety of their hearts.
If there were no such thing as display in the world, my private opinion is, and I hope you agree with me, that we might get on a great deal better than we do, and might be infinitely more agreeable company than we are. It was charming to see how these girls danced. They had no spectators but the apple-pickers on the ladders. They were very glad to please them, but they danced to please themselves (or at least you would have supposed so); and you could no more help admiring, than they could help dancing. How they did dance!
Not like opera-dancers. Not at all. And not like Madame Anybody’s finished pupils. Not the least. It was not quadrille dancing, nor minuet dancing, nor even country-dance dancing. It was neither in the old style, nor the new style, nor the French style, nor the English style: though it may have been, by accident, a trifle in the Spanish style, which is a free and joyous one, I am told, deriving a delightful air of off-hand inspiration, from the chirping little castanets. As they danced among the orchard trees, and down the groves of stems and back again, and twirled each other lightly round and round, the influence of their airy motion seemed to spread and spread, in the sun-lighted scene, like an expanding circle in the water. Their streaming hair and fluttering skirts, the elastic grass beneath their feet, the boughs that rustled in the morning air – the flashing leaves, the speckled shadows on the soft green ground – the balmy wind that swept along the landscape, glad to turn the distant windmill, cheerily – everything between the two girls, and the man and team at plough upon the ridge of land, where they showed against the sky as if they were the last things in the world – seemed dancing too.
At last, the younger of the dancing sisters, out of breath, and laughing gaily, threw herself upon a bench to rest. The other leaned against a tree hard by. The music, a wandering harp and fiddle, left off with a flourish, as if it boasted of its freshness; though the truth is, it had gone at such a pace, and worked itself to such a pitch of competition with the dancing, that it never could have held on, half a minute longer. The apple- pickers on the ladders raised a hum and murmur of applause, and then, in keeping with the sound, bestirred themselves to work again like bees.
The more actively, perhaps, because an elderly gentleman, who was no other than Doctor Jeddler himself – it was Doctor Jeddler’s house and orchard, you should know, and these were Doctor Jeddler’s daughters – came bustling out to see what was the matter, and who the deuce played music on his property, before breakfast. For he was a great philosopher, Doctor Jeddler, and not very musical.
‘Music and dancing TO-DAY!’ said the Doctor, stopping short, and speaking to himself. ‘I thought they dreaded to-day. But it’s a world of contradictions. Why, Grace, why, Marion!’ he added, aloud, ‘is the world more mad than usual this morning?’
‘Make some allowance for it, father, if it be,’ replied his younger daughter, Marion, going close to him, and looking into his face, ‘for it’s somebody’s birth-day.’
‘Somebody’s birth-day, Puss!’ replied the Doctor. ‘Don’t you know it’s always somebody’s birth-day? Did you never hear how many new performers enter on this – ha! ha! ha! – it’s impossible to speak gravely of it – on this preposterous and ridiculous business called Life, every minute?’