Dickens, Charles – The Uncommercial Traveller

appliances. I wonder why only her anchors look small.

I have no present time to think about it, for I am going to see the

workshops where they make all the oars used in the British Navy. A

pretty large pile of building, I opine, and a pretty long job! As

to the building, I am soon disappointed, because the work is all

done in one loft. And as to a long job – what is this? Two rather

large mangles with a swarm of butterflies hovering over them? What

can there be in the mangles that attracts butterflies?

Drawing nearer, I discern that these are not mangles, but intricate

machines, set with knives and saws and planes, which cut smooth and

straight here, and slantwise there, and now cut such a depth, and

now miss cutting altogether, according to the predestined

requirements of the pieces of wood that are pushed on below them:

each of which pieces is to be an oar, and is roughly adapted to

that purpose before it takes its final leave of far-off forests,

and sails for England. Likewise I discern that the butterflies are

not true butterflies, but wooden shavings, which, being spirted up

from the wood by the violence of the machinery, and kept in rapid

and not equal movement by the impulse of its rotation on the air,

flutter and play, and rise and fall, and conduct themselves as like

butterflies as heart could wish. Suddenly the noise and motion

cease, and the butterflies drop dead. An oar has been made since I

came in, wanting the shaped handle. As quickly as I can follow it

with my eye and thought, the same oar is carried to a turning

lathe. A whirl and a Nick! Handle made. Oar finished.

The exquisite beauty and efficiency of this machinery need no

illustration, but happen to have a pointed illustration to-day. A

pair of oars of unusual size chance to be wanted for a special

purpose, and they have to be made by hand. Side by side with the

subtle and facile machine, and side by side with the fast-growing

pile of oars on the floor, a man shapes out these special oars with

an axe. Attended by no butterflies, and chipping and dinting, by

comparison as leisurely as if he were a labouring Pagan getting

them ready against his decease at threescore and ten, to take with

him as a present to Charon for his boat, the man (aged about

thirty) plies his task. The machine would make a regulation oar

while the man wipes his forehead. The man might be buried in a

mound made of the strips of thin, broad, wooden ribbon torn from

the wood whirled into oars as the minutes fall from the clock,

before he had done a forenoon’s work with his axe.

Passing from this wonderful sight to the Ships again – for my

heart, as to the Yard, is where the ships are – I notice certain

unfinished wooden walls left seasoning on the stocks, pending the

solution of the merits of the wood and iron question, and having an

air of biding their time with surly confidence. The names of these

worthies are set up beside them, together with their capacity in

guns – a custom highly conducive to ease and satisfaction in social

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Dickens, Charles – The Uncommercial Traveller

intercourse, if it could be adapted to mankind. By a plank more

gracefully pendulous than substantial, I make bold to go aboard a

transport ship (iron screw) just sent in from the contractor’s yard

to be inspected and passed. She is a very gratifying experience,

in the simplicity and humanity of her arrangements for troops, in

her provision for light and air and cleanliness, and in her care

for women and children. It occurs to me, as I explore her, that I

would require a handsome sum of money to go aboard her, at midnight

by the Dockyard bell, and stay aboard alone till morning; for

surely she must be haunted by a crowd of ghosts of obstinate old

martinets, mournfully flapping their cherubic epaulettes over the

changed times. Though still we may learn from the astounding ways

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