Dickens, Charles – The Uncommercial Traveller

would happen in the street, when I certainly was not looking for

the likeness, and when probably there was no likeness there. It

was not because the creature was dead that I was so haunted,

because I know that I might have been (and I know it because I have

been) equally attended by the image of a living aversion. This

lasted about a week. The picture did not fade by degrees, in the

sense that it became a whit less forcible and distinct, but in the

sense that it obtruded itself less and less frequently. The

experience may be worth considering by some who have the care of

children. It would be difficult to overstate the intensity and

accuracy of an intelligent child’s observation. At that

impressible time of life, it must sometimes produce a fixed

impression. If the fixed impression be of an object terrible to

the child, it will be (for want of reasoning upon) inseparable from

great fear. Force the child at such a time, be Spartan with it,

send it into the dark against its will, leave it in a lonely

bedroom against its will, and you had better murder it.

On a bright morning I rattled away from Paris, in the German

chariot, and left the large dark creature behind me for good. I

ought to confess, though, that I had been drawn back to the Morgue,

after he was put underground, to look at his clothes, and that I

found them frightfully like him – particularly his boots. However,

I rattled away for Switzerland, looking forward and not backward,

and so we parted company.

Welcome again, the long, long spell of France, with the queer

country inns, full of vases of flowers and clocks, in the dull

little town, and with the little population not at all dull on the

little Boulevard in the evening, under the little trees! Welcome

Monsieur the Cure, walking alone in the early morning a short way

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Dickens, Charles – The Uncommercial Traveller

out of the town, reading that eternal Breviary of yours, which

surely might be almost read, without book, by this time! Welcome

Monsieur the Cure, later in the day, jolting through the highway

dust (as if you had already ascended to the cloudy region), in a

very big-headed cabriolet, with the dried mud of a dozen winters on

it. Welcome again Monsieur the Cure, as we exchange salutations;

you, straightening your back to look at the German chariot, while

picking in your little village garden a vegetable or two for the

day’s soup: I, looking out of the German chariot window in that

delicious traveller’s trance which knows no cares, no yesterdays,

no to-morrows, nothing but the passing objects and the passing

scents and sounds! And so I came, in due course of delight, to

Strasbourg, where I passed a wet Sunday evening at a window, while

an idle trifle of a vaudeville was played for me at the opposite

house.

How such a large house came to have only three people living in it,

was its own affair. There were at least a score of windows in its

high roof alone; how many in its grotesque front, I soon gave up

counting. The owner was a shopkeeper, by name Straudenheim; by

trade – I couldn’t make out what by trade, for he had forborne to

write that up, and his shop was shut.

At first, as I looked at Straudenheim’s, through the steadily

falling rain, I set him up in business in the goose-liver line.

But, inspection of Straudenheim, who became visible at a window on

the second floor, convinced me that there was something more

precious than liver in the case. He wore a black velvet skull-cap,

and looked usurious and rich. A large-lipped, pear-nosed old man,

with white hair, and keen eyes, though near-sighted. He was

writing at a desk, was Straudenheim, and ever and again left off

writing, put his pen in his mouth, and went through actions with

his right hand, like a man steadying piles of cash. Five-franc

pieces, Straudenheim, or golden Napoleons? A jeweller,

Straudenheim, a dealer in money, a diamond merchant, or what?

Below Straudenheim, at a window on the first floor, sat his

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