Dickens, Charles – The Uncommercial Traveller

frequented, at about two of the afternoon when that edifice was

closed. But, a little side-door, which I had never observed

before, stood open, and disclosed certain cellarous steps.

Methought ‘They are airing the vaults to-day,’ when the personage

and the child silently arrived at the steps, and silently

descended. Of course, I came to the conclusion that the personage

had at last despaired of the looked-for return of the penitent

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Dickens, Charles – The Uncommercial Traveller

citizens, and that he and the child went down to get themselves

buried.

In the course of my pilgrimages I came upon one obscure church

which had broken out in the melodramatic style, and was got up with

various tawdry decorations, much after the manner of the extinct

London may-poles. These attractions had induced several young

priests or deacons in black bibs for waistcoats, and several young

ladies interested in that holy order (the proportion being, as I

estimated, seventeen young ladies to a deacon), to come into the

City as a new and odd excitement. It was wonderful to see how

these young people played out their little play in the heart of the

City, all among themselves, without the deserted City’s knowing

anything about it. It was as if you should take an empty countinghouse

on a Sunday, and act one of the old Mysteries there. They

had impressed a small school (from what neighbourhood I don’t know)

to assist in the performances, and it was pleasant to notice

frantic garlands of inscription on the walls, especially addressing

those poor innocents in characters impossible for them to decipher.

There was a remarkably agreeable smell of pomatum in this

congregation.

But, in other cases, rot and mildew and dead citizens formed the

uppermost scent, while, infused into it in a dreamy way not at all

displeasing, was the staple character of the neighbourhood. In the

churches about Mark-lane, for example, there was a dry whiff of

wheat; and I accidentally struck an airy sample of barley out of an

aged hassock in one of them. From Rood-lane to Tower-street, and

thereabouts, there was often a subtle flavour of wine: sometimes,

of tea. One church near Mincing-lane smelt like a druggist’s

drawer. Behind the Monument the service had a flavour of damaged

oranges, which, a little further down towards the river, tempered

into herrings, and gradually toned into a cosmopolitan blast of

fish. In one church, the exact counterpart of the church in the

Rake’s Progress where the hero is being married to the horrible old

lady, there was no speciality of atmosphere, until the organ shook

a perfume of hides all over us from some adjacent warehouse.

Be the scent what it would, however, there was no speciality in the

people. There were never enough of them to represent any calling

or neighbourhood. They had all gone elsewhere over-night, and the

few stragglers in the many churches languished there

inexpressively.

Among the Uncommercial travels in which I have engaged, this year

of Sunday travel occupies its own place, apart from all the rest.

Whether I think of the church where the sails of the oyster-boats

in the river almost flapped against the windows, or of the church

where the railroad made the bells hum as the train rushed by above

the roof, I recall a curious experience. On summer Sundays, in the

gentle rain or the bright sunshine – either, deepening the idleness

of the idle City – I have sat, in that singular silence which

belongs to resting-places usually astir, in scores of buildings at

the heart of the world’s metropolis, unknown to far greater numbers

of people speaking the English tongue, than the ancient edifices of

the Eternal City, or the Pyramids of Egypt. The dark vestries and

registries into which I have peeped, and the little hemmed-in

churchyards that have echoed to my feet, have left impressions on

my memory as distinct and quaint as any it has in that way

received. In all those dusty registers that the worms are eating,

there is not a line but made some hearts leap, or some tears flow,

in their day. Still and dry now, still and dry! and the old tree

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