Not what I had expected. Not at all, and no indeed.
In that its first journey through the innards of the thing had reversed the coin, I had assumed that running it through the works again would return it to normal. Instead, I now held a metal disk on which the design was properly oriented but was incised, intaglio-like, rather than raised. This applied to both sides, and in the place of the milling the edges were step-recessed, like a train wheel.
Curiouser and curiouser. I would simply have to do it again to see what happened next. I straightened, gripped the line with my knees, began to redirect my errant arc.
For a moment I glanced up into the gloom where my thirty-foot puppet string reached to its shadowy bar. An I-beam, too near the ceiling to mount, I had traversed it aardvark-style-ankles locked above, letting my fingers do the walking. I wore a dark sweater and trousers and had on thin-soled suede boots. I had carried the line coiled about my left shoulder until I had reached a point as near to being directly above the apparatus as was possible.
I had made my way in through a skylight I had had to jimmy after cutting away some grillwork and jump-wiring three alarms in a fashion that produced a small nostalgia for my abandoned major in electrical engineering. The hall below was dim, the only illumination provided by a series of floor-level spots that encircled the display and concentrated their beams upward upon it. A low guardrail enclosed the machine, and concealed electric eyes fenced it invisibly. Sensor plates within the floor and the platform would betray a footstep. There was a television camera bolted to my beam. I had turned it slowly, slightly, so that it was still focused on the display-only farther southward, as I planned to descend on the north side where the belt was flattest just before it reached the central unit-a guesstimate, from those four courses in TV production. There were guards in the building, but one had just made his rounds and I planned to be quick. All plans have their limits and hazards, which is why insurance companies get rich.
The night was cloudy and a very cold wind went around in it. My breath flapped ghostly wings and flew away. The only witness to my finger-numbing exercises on the roof was a tired-looking cat crouched in the scuttleway. The chill had been about when I had arrived in town the night before, a journey resulting from a decision I had reached on Hal’s couch the previous day.
After Charv and Ragma had, at my request, set me down about fifty miles out of town during the dark of the moon, I had hitched rides and gotten back to my neighborhood well after midnight. And a good thing it was that I had.
There is a side street that dead-ends into my own, and my building is right across the way from it. As you proceed along that side street the windows of my apartment are in plain sight. More naturally in night’s dark and quiet than they would by day, my eyes sought them. Dark, as they should be. Blank. Vacant.
But then, half a minute later, as I neared the corner, came a small flare, a tiny flickering, blackness again.
Any other time and I would have dismissed it if I had noted it at all. It could very easily have been a reflection or an imagining. Yet …
Yes. But recently recuperated and still full of warnings, I would be a fool to be anything but wary. Neither a fool nor a raisin be, I told myself as I put on my waries, turned right and headed away.
I walked a pair of blocks to and a couple from, coming at last up the alley behind my building. There was a rear entranceway, but I avoided it, making my way to a place where I could go from pipe to sill to ledge to fire escape, which I did.
In a very brief while I was on the roof and moving across it. Then down the pipe to the place I had stood when talking with Paul Byler. I edged forward from there and peered in my bedroom window. Too dark to tell anything for certain. It was the other window, though, that had framed what might have been the lighting of a cigarette.