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Doorways in the Sand by Roger Zelazny. Chapter 3, 4, 5

“Do you hear me, Fred?”

“Yes,” I said, “yes … ”

The movement ceased. I overheard an exchange in a language I did not recognize. Then the ground rose. I was deposited upon it.

“Are you awake? Can you hear me?”

“Yes, yes. I already said ‘yes.’ How many times-“

“Yes, he appears to be awake”-this superfluous comment in a voice I recognized as that of my friend the wombat.

There bad been more than one voice, but I could not see the speakers because of the angle at which I lay. And it was too much trouble to turn my head. I opened my eyes fully, though, and saw that the terrain was flat and pinked, though not tenderized, by the first low flames of morning.

All of the previous day’s happenings slowly emerged from that place where memories stay when you are not using them. These, along with the moral I had drawn from them, were as responsible as muscle tone for my unwillingness to turn and regard my companions. And it wasn’t bad just lying there. If I waited long enough, I might go away again and come back someplace else.

“I say,” came a strange voice, “would you care for a peanut-butter sandwich?”

Pieces of broken reverie fell all about me. Gagging, I gained a new perspective on the ground and the long shadows that lay across it.

Because of the peculiar outline I had regarded, I was not completely surprised when I raised my head and saw a six-foot-plus kangaroo standing beside the wombat. It considered me through a pair of dark glasses as it removed a sandwich bag from its pouch.

“Peanut butter is rich in protein,” it said.

Chapter 4

Hanging there, some twenty or thirty thousand miles above it, I was in a perfect position to enjoy the event if California were to break loose, slip away and vanish beneath the Pacific. Unfortunately, this did not occur. Instead, the whole world slipped away as the vessel continued its orbiting and the argument proceeded behind my back.

However, at the rate things were going it seemed possible that the San Andreas fault would have several more opportunities to present me with the desired spectacle while providing some Donnelly of the distant future with material for a book on the peculiarities of that antediluvian world and its masterfully scripted passage. When one has nothing better to do one can always hope.

As, through that port beside which I reclined, presumably resting, only half listening to the heated sounds exchanged between Charv and Ragma, I regarded the Earth and then the star-dotted field beyond it, immense in the distance of distances, I was taken by a glorious sensation doubtless compiled of recovery from my earlier discomforts, a near-metaphysical satisfaction of my acrophiliac tendencies and a general overlay of fatigue that spread slowly, lightly across me, like a delicious fall of big-flaked snow. I had never been at this altitude before, witnessing the distances, struggling to gain perspective, overwhelmed by the consideration of space, space and more space. The beauty of basic things, things as they are and things as they might be, reached out to me then, and I recalled some lines I had scribbled long ago, on regretfully giving up my math major rather than take a degree in it:

Lobachevsky alone has looked on Beauty bare.

She curves in here, she curves in here. She curves out there.

Her parallel clefts come together to tease

In un-callipygianous-wise;

With fewer than one hundred eighty degrees

Her glorious triangle lies.

Her double-trumpet symmetry Riemann did not court-

His tastes to simpler-curvedness, the buxom Teuton sort!

An ellipse is fine for as far as it goes,

But modesty, away!

If I’m going to see Beauty without her clothes

Give me hyperbolas any old day.

The world is curves, I’ve heard it said,

And straightway in it nothing lies.

This then my wish, before I’m dead:

To look through Lobachevsky’s eyes.

I felt very drowsy. I had been into and out of consciousness periodically and had no idea as to how much time had elapsed. My watch, of course, was of no assistance. I resisted going away again, however, both to prolong the aesthetic seizure and to keep abreast of developments about me.

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