Douglas Adams. Mostly harmless

All of this riveting stuff was on the tape, and fine. viewing it made. First of all the picture quality was extremely poor. Tricia didn’t know why this was, exactly. She had a feeling that the Grebulons responded to a slightly different range of light frequencies, and that there had been a lot of ultra-violet around which was mucking up the video camera. There were a lot of interference patterns and video snow as well. Probably something to do with the warp drive that none of them knew the first thing about.

So what she had on tape, essentially, was a bunch of slightly thin and discoloured people sitting around watching televisions that were showing network broadcasts. She had also pointed the camera out of the very tiny viewport near her seat and got a nice, slightly streaky effect of stars. She knew it was real, but it would have taken a good three or four minutes to fake.

In the end she had decided to save her precious videotape for Rupert itself and had simply sat back and watched television with them. She had even dozed off for a while.

So part of her sick feeling came from the sense that she had had all that time in an alien spacecraft of astounding technological design, and had spent most of it dozing in front of reruns of M*A*S*H and Cagney and Lacey. But what else was there to do? She had taken some photos as well, of course, all of which had subsequently turned out to be badly fogged when she got them back from the chemist.

Another part of her sick feeling probably came from the landing on Rupert. This at least had been dramatic and hair-raising. The ship had come sweeping in over a dark and sombre landscape, a terrain so desperately far removed from the heat and light of its parent sun that it seemed like a map of the psychological scars on the mind of an abandoned child.

Lights blazed through the frozen darkness and guided the ship into the mouth of some kind of cave that seemed to bend itself open to accept the small craft.

Unfortunately, because of the angle of their approach, and the depth at which the small thick viewport was set into the craft’s skin, it hadn’t been possible to get the. video camera to point directly at any of it. She ran through that bit of the tape.

The camera was pointing directly at the sun.

This is normally very bad for a video camera. But when the sun is roughly a third of a billion miles away it doesn’t do any harm. In fact it hardly makes any impression at all. You just get a small point of light right in the middle of the frame, which could be just about anything. It was just one star in a multitude.

Tricia fast-forwarded.

Ah. Now, the next bit had been quite promising. They had emerged out of the ship into a vast, grey, hangar-like structure. This was clearly alien technology on a dramatic scale. Huge grey buildings under the dark canopy of the Perspex bubble. These were the same buildings that she had been looking at at the end of the tape. She had taken more footage of them while leaving Rupert a few hours later, just as she was about to reboard the spacecraft for the journey home. What did they remind her of?

Well, as much as anything else they reminded her of a film set from just about any low-budget science-fiction movie of the last twenty years. A lot larger, of course, but it all looked thoroughly tawdry and unconvincing on the video screen. Apart from the dreadful picture quality she had been struggling with the unexpected effects of gravity that was appreciably lower than that on Earth, and she had found it very hard to keep the camera from bouncing around in an embarrassingly unprofessional way. It was therefore impossible to make out any detail.

And now here was the Leader coming forward to greet her, smiling and sticking his hand out.

That was all he was called. The Leader.

None of the Grebulons had names, largely because they couldn’t think of any. Tricia discovered that some of them had thought of calling themselves after characters from television programmes they had picked up from Earth, but hard as they had tried to call each other Wayne and Bobby and Chuck, some remnant of something lurking deep in the cultural subconscious they had brought with them from the distant stars which were their homes must have told them that this really wasn’t right and wouldn’t do.

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