Ellroy, James – Big Nowhere, The THE BIG NOWHERE

Ellroy, James – Big Nowhere, The THE BIG NOWHERE

Ellroy, James – Big Nowhere, The THE BIG NOWHERE

by James Ellroy

PART ONE

Red Crosscurrents

CHAPTER ONE

Thundershowers hit just before midnight, drowning out the horn honks and noisemaker blare that usually signalled New Year’s on the Strip, bringing 1950

to the West Hollywood Substation in a wave of hot squeals with meat wagon backup.

At 12:03, a four-vehicle fender bender at Sunset and La Cienega resulted in a half dozen injuries; the deputies who responded got eyewitness testimony: the crash was caused by the clown in the brown DeSoto and the army major in the Camp Cooke staff car racing no-hands with dogs wearing paper party hats on their laps. Two arrests; one call to the Verdugo Street Animal Shelter. At 12:14, an uninhabited vet’s shack on Sweetzer collapsed in a heap of drenched prefab, killing a teenaged boy and girl necking under the foundation; two County Morgue DOA’s. At 12:29, a neon lawn display featuring Santa Claus and his helpers short-circuited, shooting flames along the electrical cord to its inside terminus–a plug attached to a maze of adapters fueling a large, brightly lit Christmas tree and nativity scene–severely burning three children heaping tissue-wrapped presents on a glow-in-the-dark baby Jesus. One fire truck, one ambulance and three Sheriff’s prowl cars to the scene, a minor jurisdictional Side 1

Ellroy, James – Big Nowhere, The foul-up when the LAPD appeared in force, a rookie dispatcher mistaking the Sierra Bonita Drive address as City–not County–territory. Then five drunk drivings; then a slew of drunk and disorderlies as the clubs on the Strip let out; then a strongarm heist in front of Dave’s Blue Room, the victims two Iowa yokels in town for the Rose Bowl, the muscle two niggers who escaped in a ’47

Merc with purple fender skirts. When the rain petered out shortly after 3:00, Detective Deputy Danny Upshaw, the station’s acting watch commander, predicted that the 1950’s were going to be a shit decade.

Except for the drunks and non-booze misdemeanants in the holding tank, he was alone. Every black-and-white and unmarked was out working graveyard; there was no chain of command, no switchboard/clerical girl, no plainclothes deputies in the squadroom. No khaki and olive drab patrolmen strutting around, smirking over their plum duty–the Strip, glossy women, Christmas baskets from Mickey Cohen, the real grief over the city line with the LAPD. No one to give him the fisheye when he picked up his criminology textbooks: Vollmer, Thorwald, Maslick–grid-searching crime scenes, blood spatter marks explained, how to toss an 18-foot-by-24-foot room for hard evidence in an hour flat.

Danny settled in to read, his feet up on the front desk, the station-to-prowler two-way turned down low. Hans Maslick was digressing on how to roll fingerprints off severely burned flesh, the best chemical compounds to remove scabbed tissue without singeing the skin below the surface of the print pattern. Maslick had perfected his technique during the aftermath of a prison fire in Düsseldorf in 1931. He had plenty of stiffs and fingerprint abstracts to work from; there was a chemical plant nearby, with an ambitious young lab assistant eager to help him. Together, they worked rapid fire: caustic solutions burning too deep, milder compounds not penetrating scarred flesh. Danny jotted chemical symbols on a notepad as he read; he pictured himself as Maslick’s assistant, working side by side with the great criminologist, who would give him a fatherly embrace every time he made a brilliant logical jump. Soon he was transposing the scorched nativity scene kids against his reading, going solo, lifting prints off tiny fingers, double-checking them against birth records, the hospital precaution they took in case newborns got switched around–

“Boss, we got a hot one.”

Danny glanced up. Hosford, a uniformed deputy working the northeast border of the division, was in the doorway. “What? Why didn’t you call it in?”

“I did. You mustn’t of–”

Danny pushed his text and notepad out of sight. “What is it?”

“Man down. I found him–Allegro, a half mile up from the Strip. Jesus dog, you ain’t ever seen noth–”

“You stay here, I’m going.”

o

o

o

Allegro Street was a narrow residential road, half Spanish bungalow courts, half building sites fronted by signs promising DELUXE LIVING in the Tudor, French Provincial and Streamline Moderne styles. Danny drove up it in his civilian car, slowing when he saw a barrier of sawhorses with red blinkers, three black-and-whites parked behind it, their headlights beaming out into a weed-strewn vacant lot.

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