Dreadful? Kronsteen was not interested in human beings–not even in his own children. Nor did the categories of `good’ and `bad’ have a place in his vocabulary. To him all people were chess pieces. He was only interested in their reactions to the movements of other pieces. To foretell their reactions, which was the greater part of his job, one had to understand their individual characteristics. Their basic instincts were immutable. Self-preservation, sex and the instinct of the herd–in that order. Their temperaments could be sanguine, phlegmatic, choleric or melancholic. The temperament of an individual would largely decide the comparative strength of his emotions and his sentiments. Character would greatly depend on upbringing and, whatever Pavlov and the Behaviourists might say, to a certain extent on the character of the parents. And, of course, people’s lives and behaviour would be partly conditioned by physical strengths and weaknesses.
It was with these basic classifications at the back of his mind that Kronsteen’s cold brain considered the woman across the table. It was the hundredth time he had summed her up, but now they had weeks of joint work in front of them and it was as well to refresh the memory so that a sudden intrusion of the human element in their partnership should not come as a surprise.
Of course Rosa Klebb had a strong will to survive, or she would not have become one of the most powerful women in the State, and certainly the most feared. Her rise, Kronsteen remembered, had begun with the Spanish Civil War. Then, as a double agent inside P.O.U.M.–that is, working for the O.G.P.U. in Moscow as well as for Communist Intelligence in Spain–she had been the right hand, and some sort of a mistress, they said, of her chief, the famous Andreas Nin. She had worked with him from 1935 to 1937. Then, on the orders of Moscow, he was murdered and, it was rumoured, murdered by her. Whether this was true or not, from then on she had progressed slowly but straight up the ladder of power, surviving setbacks, surviving wars, surviving, because she forged no allegiances and joined no factions, all the purges, until, in 1953, with the death of Beria, the bloodstained hands grasped the rung, so few from the very top, that was Head of the Operations Department of SMERSH.
And, reflected Kronsteen, much of her success was due to the peculiar nature of her next most important instinct, the Sex Instinct. For Rosa Klebb undoubtedly belonged to the rarest of all sexual types. She was a Neuter.
Kronsteen was certain of it. The stories of men and, yes, of women, were too circumstantial to be doubted. She might enjoy the act physically, but the instrument was of no importance. For her, sex was nothing more than an itch. And this psychological and physiological neutrality of hers at once relieved her of so many human emotions and sentiments and desires. Sexual neutrality was the essence of coldness in an individual. It was a great and wonderful thing to be born with.
In her, the Herd instinct would also be dead. Her urge for power demanded that she should be a wolf and not a sheep. She was a lone operator, but never a lonely one, because the warmth of company was unnecessary to her. And, of course, temperamentally, she would be a phlegmatic-imperturbable, tolerant of pain, sluggish. Laziness would be her besetting vice, thought Kronsteen. She would be difficult to get out of her warm, hoggish bed in the morning. Her private habits would be slovenly, even dirty. It would not be pleasant, thought Kronsteen, to look into the intimate side of her life, when she relaxed, out of uniform. Kronsteen’s pouting lips curled away from the thought and his mind hastened on, skipping her character, which was certainly cunning and strong, to her appearance.
Rosa Klebb would be in her late forties, he assumed, placing her by the date of the Spanish War. She was short, about five foot four, and squat, and her dumpy arms and short neck, and the calves of the thick legs in the drab khaki stockings, were very strong for a woman. The devil knows, thought Kronsteen, what her breasts were like, but the bulge of uniform that rested on the table-top looked like a badly packed sandbag, and in general her figure, with its big pear-shaped hips, could only be likened to a ‘cello.