Fleming, Ian – From Russia with Love

`Nothing,’ said Tatiana innocently. `What could happen? I said I would be here, and I am here. You have no faith. Since I am sure you are more interested in my dowry than in me, it is up there.’

Bond looked casually up. Two small cases were on the rack beside his suitcase. He took her hand. He said, `Thank God you’re safe.’

Something in his eyes, perhaps the flash of guilt, as he admitted to himself that he had been more interested in the girl than the machine, reassured her. She kept his hand in hers and sank contentedly back in her corner.

The train screeched slowly round Seraglio Point. The lighthouse lit up the roofs of the dreary shacks along the railway line. With his free hand Bond took out a cigarette and lit it. He reflected that they would soon be passing the back of the great billboard where Krilencu had lived–until less than twenty-four hours ago. Bond saw again the scene in every detail. The white cross roads, the two men in the shadows, the doomed man slipping out through the purple lips.

The girl watched his face with tenderness. What was this man thinking? What was going on behind those cold level grey-blue eyes that sometimes turned soft and sometimes, as they had done last night before his passion had burned out in her arms, blazed like diamonds. Now they were veiled in thought. Was he worrying about them both? Worrying about their safety? If only she could tell him that there was nothing to fear, that he was only her passport to England–him and the heavy case the Resident Director had given her that evening in the office. The Director had said the same thing. `Here is your passport to England, Corporal,’ he had said cheerfully. `Look.’ He had unzipped the bag: `A brand new Spektor. Be certain not to open the bag again or let it out of your compartment until you get to the other end. Or this Englishman will take it away from you and throw you on the dust-heap. It is this machine they want. Do not let them take it from you, or you will have failed in your duty. Understood?’

A signal box loomed up in the blue dusk outside the window. Tatiana watched Bond get up and pull down the window and crane out into the darkness. His body was close to her. She moved her knee so that it touched him. How extraordinary, this passionate tenderness that had filled her ever since she had seen him last night standing naked at the window, his arms up to hold the curtains back, his profile, under the tousled black hair, intent and pale in the moonlight. And then the extraordinary fusing of their eyes and their bodies. The flame that had suddenly lit between them–between the two secret agents, thrown together from enemy camps a whole world apart, each involved in his own plot against the country of the other, antagonists by profession, yet turned, and by the orders of their governments, into lovers.

Tatiana stretched out a hand and caught hold of the edge of the coat and tugged at it. Bond pulled up the window and turned. He smiled down at her. He read her eyes. He bent and put his hands on the fur over her breasts and kissed her hard on the lips. Tatiana leant back, dragging him with her.

There came a soft double knock on the door. Bond stood up. He pulled out his handkerchief and brusquely scrubbed the rouge off his lips. `That’ll be my friend Kerim,’ he said. `I must talk to him. I will tell the conductor to make up the beds. Stay here while he does it. I won’t be long. I shall be outside the door.’ He leant forward and touched her hand and looked at her wide eyes and at her rueful, half-open lips. `We shall have all the night to ourselves. First I must see that you are safe.’ He unlocked the door and slipped out.

Darko Kerim’s huge bulk was blocking the corridor. He was leaning on the brass guard-rail, smoking and gazing moodily out towards the Sea of Marmara that receded as the long train snaked away from the coast and turned inland and northwards. Bond leaned on the rail beside him. Kerim looked into the reflection of Bond’s face in the dark window. He said softly, `The news is not good. There are three of them on the train.’

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