Fleming, Ian – Live and let die

Beyond, with its base held fast in a socket of stone, stood a large black wooden cross. A white death’s head was painted near the base, and over the crossbar were pulled the sleeves of a very old morning coat. Here also rested the brim of a battered bowler hat, through the torn crown of which the top of the cross projected. This totem, with which every peristyle must be equipped, is not a lampoon of the central event of the

Christian faith, but represents the God of the Cemeteries and the Chief of the Legion of the Dead, Baron Samedi. The Baron is paramount in all matters immediately beyond the tomb. He is Cerberus and Charon as well as Aeacus, Rhadamanthus and Pluto.

… The drums changed and the Houngenikon came dancing on to the floor, holding a vessel filled with some burning liquid from which sprang blue and yellow flames. As he circled the pillar and spilt three flaming libations, his steps began to falter. Then, lurching backwards with the same symptoms of delirium that had manifested themselves in his forerunner, he flung down the whole blazing mass. The houncis caught him as he reeled, and removed his sandals and rolled his trousers up, while the kerchief fell from his head and laid bare his young woolly skull. The other houncis knelt to put their hands in the flaming mud, and rub it over their hands and elbows and faces. The Houngan’s bell and ‘agon’ rattled officiously and the young priest was left by himself, reeling and colliding against the pillar, helplessly catapulting across the floor, and falling among the drums. His eyes were shut, his forehead screwed up and his chin hung loose. Then, as though an invisible fist had dealt him a heavy blow, he fell to the ground and lay there, with his head stretching backwards in a rictus of anguish until the tendons of his neck and shoulders projected like roots. One hand clutched at the other elbow behind his hollowed back as though he were striving to break his own arm, and his whole body, from which the sweat was streaming, trembled and shuddered like a dog in a dream. Only the whites of his eyes were visible as, although his eye-sockets were now wide open, the pupils had vanished under the lids. Foam collected on his lips…

… Now the Houngan, dancing a slow step and brandishing a cutlass, advanced from the fireside, flinging the weapon again and again into the air, and catching it by the hilt. In a few minutes he was holding it by the blunted end of the blade. Dancing slowly towards him, the Houngenikon reached out and grasped the hilt. The priest retired, and the young man, twirling and leaping, spun from side to side of the ‘tonnelle’. The ring of spectators rocked backwards as he bore down upon them whirling the blade over his head, with the gaps in his bared teeth lending to his mandril face a still more feral aspect. The ‘tonnelle’ was filled for a few seconds with genuine and unmitigated terror. The singing had turned to a universal howl and the drummers, rolling and lolling with the furious and invisible motion of their hands, were lost in a transport of noise.

Flinging back his head, the novice drove the blunt end of the cutlass into his stomach. His knees sagged, and his head fell forward…

There came a knock on the door and a waiter came in with breakfast. Bond was glad to put the dreadful tale aside and re-enter the world of normality. But it took him minutes to forget the atmosphere, heavy with terror and the occult, that had surrounded him as he read.

With breakfast came another parcel, about a foot square, expensive-looking, which Bond told the waiter to put on the sideboard. Some afterthought of Leiter’s, he supposed. He ate his breakfast with enjoyment. Between mouthfuls he looked out of the wide window and reflected on what he had just read.

It was only when he had swallowed his last mouthful of coffee and had lit his first cigarette of the day that he suddenly became aware of the tiny noise in the room behind him.

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