Baxter was staring at me. I held on tight to his hand. When we reached the top the car paused for a second, changed course, drifted horizontally, bumped to a halt under the metal arch.
“Home sweet home,” said Cheryl. “At least, kind of.”
28
THE FUNICULAR SET us down on a concrete platform, and we walked to a waist-high redwood-and-glass fence set twenty yards behind the cable unit. The barrier stretched the width of the property—at least three hundred feet—and halfway to the northern edge; a husky man in a gray uniform stooped and sprayed glass cleaner from a blue bottle. The area between the cliff edge and the fence was a hundred thousand dollars’ worth of packed brown Malibu dirt. No need to conserve space; the expanse before me was twenty acres minimum, maybe more.
Twenty calculated acres. The earth had been bunched into too-gentle slopes of a symmetry that would’ve amused Mother Nature, then cloaked with emerald sod. Beds of tropical vegetation had been cut into the grass, and medallions of flowers sprouted bauble-bright. Granite paths, some hooded by pink marble arbors laced with scarlet bougainvillea, others sun-whitened, sickled through perfect lawns under the selective shade of specimen trees. Maybe half a thousand trees, grouped in copses and pruned sculpturally, as calculated for size and shape as Cheryl’s breasts. The beat of the ocean continued to work its way up. But it competed now with new water music—waterfalls, at least a dozen minicataracts, tumbling into rock pools that seemed to sprout from nowhere. The soda spritz of skyward-aimed fountains jetted from free-form rock ponds, some occupied by swans and ducks and pink flamingos. Bird cries in thedistance didn’t belong to any native species, and something that might’ve been a monkey shrieked.
I said, “Sounds like someone’s got a zoo.”
“All kinds of animals,” said Cheryl, smiling enigmatically and moving several steps ahead of me, long, blond hair flapping against her back. Sage was slung over her shoulder, sleeping soundly, cheeks bunched, tiny mouth a vermilion squiggle. Baxter held my hand without offering resistance. His pace had slowed and his eyelids fluttered, and when I lifted him into my arms he didn’t fight, and I felt his body go heavy against mine.
Cheryl walked faster. Lagging slightly behind allowed me to check out the estate. No buildings in sight, just greenery, and now the fountains’ ejaculations had drowned out the ocean. A few acres to the right the lawn sloped to a silver mirror: an unfenced, dark-bottomed swimming pool the size of a small lake. No birds. How did they keep them out?
No swimmers either. But for us and the glass cleaner, no humanity. The place had all the intimacy of a restricted resort, and I half-expected some officious sort to dart out from the shrubbery and check my membership card.
Cheryl turned onto a path, and we passed behind beds of tall, flowering pampas grass, hedges of variegated mock orange, a grove of two-story Hollywood junipers studded with blue-gray berries. The trees obscured the rest of the property, and I caught up with Cheryl. When her hip bumped mine a couple of times and I didn’t react, her jaw set and she surged ahead of me again. The junipers gave way to a planting of cattails, and I resumed sneaking peeks between the stalks.
Up ahead and to the right were high, peach-stucco walls. Black, angled court lights hinted at tennis, and a rubbery thump-thump said relaxed competition.
A sharp twist of the pathway revealed a building—a quarter mile up, at the terminus of a palm colonnade. More peach walls and an Italianate heap the size of the White House under a royal blue roof. The pathway forked, and Cheryl chose the route that took us away from the house, through an allee of orange trees. Several smaller buildings cropped up along the way—acres away, similarly colored, heavily plant-shrouded. Then a few people: women in navy blue uniforms sweeping the walkways. Stout, dark-haired women with bowed legs, dresses hanging below the knees. Norris and the parking lot dudes would be crushed.
We entered a dark, bamboo-lined cul-de-sac, walked five hundred feet, turned sharply east. At the end of the path stood a one-story house only twice the size of the average suburban dream. A trellis-topped front loggia was burdened by a mass of half-dead trumpet vine. More bamboo towered at the back. The same peach walls and cerulean roof. Up close, I saw that the stucco had been sponged to a mottled finish and lacquered glossy. The worn Mediterranean villa look, complete with artificial age scars at the corners, peeled back to reveal ersatz brickwork. Huge double doors of weathered walnut looked genuinely ancient, but any attempt to evoke the Aegean or le Cote d’Azur was killed by the roof tiles—some kind of space-age composite, too bright, too blue, cheesy enough to top a pizza.