FOREIGNER: a novel of first contact by Caroline J. Cherryh

He was trapped. Banichi was going to kill him.

“Excuse me,” he said. “I’ve just come in from the stable court. I need to wash my hands. I’ll be right back down. Excuse me, give you grace, thank you…” He bowed two and three times more and made the stairs, was halfway up them when he looked up.

Tano was standing at the top of the stairs with no pleased expression on his face, a gun plainly on his hip. Tano beckoned him to come upstairs, and he ran the rest of the steps, the whole transaction between them at such an angle, he hoped, that the tourists couldn’t see the reason for his sudden burst of energy.

“Nand’ paidhi,” Tano said severely. “You were to use the back hall.”

“No one told me, nadi!” He was furious. And held his temper. The culprit was Banichi, who was in charge—and the second party responsible was clearly himself. “I need to clean up. I’ve promised these people—”

“Ribbons, nand’ paidhi. I’ll see to it. Hurry.”

He flew up the stairs past Tano, aches and all, down the hall to his apartment, with no time to bathe. He only washed, flung on fresh shirt and trousers, a clean coat, and passed cologne-damp hands over his windblown hair, which was coming out of its braid.

Then he stalked out and down the hall, and made a more civilized descent of the stairs to what had been set up as a receiving line, a place ready at the table in the hall in front of the fireplace, with wax-jack, with ribbons, with small cards, and an anxious line of atevi—for each of them, a card to sign, ribbon and seal with wax, and, with the first such signature and seal, a pleased and nervous tourist who’d received a bonus for his trip, while a line of thirty more waited, stealing glances past one another at the only living human face they’d likely seen, unless they’d been as far as Shejidan.

The paidhi was used to adult stares. The children were far harder to deal with. They’d grown up on machimi about the War. Some of them were sullen. Others wanted to touch the paidhi’s hand to see if his skin was real. One asked him if his mother was that color, too. Several were afraid of his eyes, or asked if he had a gun.

“No, nadi,” he lied to them, with mostly a clear conscience, “no such thing. We’re at peace now. I live in the aiji’s house.”

A parent asked, “Are you on vacation, nand’ paidhi?”

“I’m enjoying the lake,” he said, and wondered if his attempted assassination was on the television news yet, in whatever province the man came from. “I’m learning to ride.” He poured wax and sealed the ribbon to the card. “It’s a beautiful view.”

Thunder rumbled. The tourists looked anxiously to the door.

“I’ll hurry,” he said, and began to move the line faster, recalling the black cloud that they had seen from the ridge, down over the end of the lake—the daily deluge, he said to himself, and wondered whether it was the season and whether perhaps there was a reason why Tabini came here in the autumn, and not mid-summer. Perhaps Tabini knew better, and sent the paidhi here to be drowned.

The electricity was still off. “It looks so authentic,” one visitor said to another, regarding the candlelight.

Tour the bathrooms, he thought glumly, and longed for the hot bath that would take half an hour at least to heat. He felt the least small discomfort sitting on the hard chair, that had everything to do with the riding-pad and Nokhada’s gait, and the stretching of muscles in places he’d been unaware separate muscles existed.

A humid, cold gust of wind swept in the open front doors, fluttering the candles and making a sputter of wax from the wax-jack that sprinkled the polished wood of the table. He thought of calling out to the staff to shut the door before the rain hit, but they were all out of convenient range, and he was almost finished. The tourists would be outbound in only another moment or two, and the door was providing more light to the room than the candles did.

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