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Friend to Man BY C. M. Kornbluth

He could think of nothing more logical to do than to lie down, pull the hood across his face, and go to sleep.

He woke in an underground chamber big enough for half a dozen men. It was egg-shaped and cool, illuminated by sunlight red-filtered through the top half. He touched the red-lit surface and found it to be composed of glass marbles cemented together with a translucent plastic. The marbles he knew; the red desert was full of them, wind-polished against each other for millennia, rarely perfectly round, as all of these were. They had been most carefully collected. The bottom half of the egg-shaped cave was a mosaic of flatter, opaque pebbles, cemented with the same plastic.

Smith found himself thinking clear, dry, level thoughts. The posse was gone and he was sane and there had been a native and this must be the native’s burrow. He had been cached there as food, of course, so he would kill the native and possibly drink its body fluids, for his canteen had been empty for a long time. He drew a knife and wondered how to kill, his eyes on the dark circle which led from the burrow to the surface.

Silently the dark circle was filled with the tangled appendages of the creature, and in the midst of the appendages was, insanely, a Standard Transport Corporation five-liter can.

The STC monogram had been worn down, but was unmistakable. The can had heft to it.

Water? The creature seemed to hold it out. He reached into the tangle and the can was smoothly released to him. The catch flipped up and he drank flat, distilled water in great gulps.

He felt that he bulged with the stuff when he stopped, and knew the first uneasy intimations of inevitable cramp. The native was not moving, but something that could have been an eye turned on rnm.

“Salt?” asked Smith, his voice thin in the thin air. “I need salt with water.”

The thing rubbed two appendages together and he saw a drop of amber exude and spread on them. It was, he realized a moment later, rosining the bow, for the appendages drew across each other and he heard a whining, vibrating cricket-voice say: “S-s-z-z-aw-w?”

“Salt,” said Smith.

It did better the next time. The amber drop spread, and—”S-z-aw-t?” was sounded, with a little tap of the bow for the final phoneme.

It vanished, and Smith leaned back with the cramps beginning. His stomach convulsed and he lost the water he had drunk. It seeped without a trace into the floor. He doubled up and groaned—once. The groan had not eased him in body or mind; he would groan no more but let the cramps run their course.

Nothing but what is useful had always been his tacit motto. There had not been a false step in the episode of Amy. When Square-Jaw had been disposed of, Smith had waited until her father, perhaps worldly enough to know his game, certain at all events not to like the way he played it, left on one of his regular inspection trips. He had been formally introduced to her by a mutual friend who owed money to a dangerous man in the Quarter, but who had not yet been found out by the tight little clique that thought it ruled the commercial world of that planet.

With precision he had initiated her into the Open Quarter by such easy stages that at no one point could she ever suddenly realize that she was in it or the gray eyes ever fill with shock. Smith had, unknown to her, disposed of some of her friends, chosen other new ones, stage-managed entire days for her, gently forcing opinions and attitudes, insistent, withdrawing at the slightest token of counter-pressure, always urging again when the counter-pressure relaxed.

The night she had taken Optol had been prepared for by a magazine article—notorious in the profession as a whitewash—a chance conversation in which chance did not figure at all, a televised lecture on addiction, and a trip to an Optol joint at which everybody had been gay and healthy. On the second visit, Amy had pleaded for the stuff—just out of curiosity, of course, and he had reluctantly called the unfrocked medic, who injected the gray eyes with the oil.

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Categories: C M Kornbluth
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