But the floor show went on. Three days later I was sitting on Grotto Beach, leaning against a rock and working the crossword puzzle, when suddenly I got cross-eyed trying not to stare at the most stare-able woman I have ever seen in my life.
Woman, girl–I couldn’t be sure. At first glance I thought she was eighteen, maybe twenty; later when I was able to look her square in her face she still looked eighteen but could have been forty. Or a hundred and forty. She had the agelessness of perfect beauty. Like Helen or Troy, or Cleopatra. It seemed possible that she was Helen of Troy but I knew she wasn’t Cleopatra because she was not a redhead; she was a natural blonde. She was a tawny toast color allover without a hint of bikini marks and her hair was the same shade two tones litter. It flowed, unconfined, in graceful waves down her back and seemed never to have been cut.
She was tall, not much shorter than I am, and not too much litter in weight. Not fat, not fat at all save for that graceful padding that smoothes the feminine form, shading the muscles underneath–I was sure there were muscles underneath; she carried herself with the relaxed power of a lioness.
Her shoulders were broad for a woman, as broad as her very female hips; her waist might have seemed thick on a lesser woman, on her it was deliciously slender. Her belly did not sag at all but carried the lovely doub3domed curve of perfect muscle tone. Her breasts–only her big rib cage could carry such large ones without appearing too much of a good thing, they jutted firmly out and moved only a trifle when she moved, and they were crowned with rosy brown confections that were frankly nipples, womanly and not virginal.
Her navel was that jewel the Persian poets praised.
Her legs were long for her height; her hands and feet were not small but were slender, graceful. She was graceful in all ways; it was impossible to think of her in a pose ungraceful. Yet she was so lithe and limber that, like a cat, she could have twisted herself into any position.
Her face–How do you describe perfect beauty except to say that when you see it you can’t mistake it? Her lips were full and her mouth rather wide. It was faintly curved in the ghost of a smile even when her features were at rest. Her lips were red but if she was wearing makeup of any sort it had been applied so skillfully that I could not detect it–and that alone would have made her stand out, for that was a year all other females were wearing “Continental” makeup, as artificial as a corset and as bold as a doxy’s smile.
Her nose was straight and large enough for her face, no button. Her eyes–
She caught me staring at her. Certainly women expect to be locked at and expect it unclothed quite as much as when dressed for the ball. But it is rude to stare openly. I had given up the fight in the first ten seconds and was trying to memorize her, every line, every curve.
Her eyes locked with mine and she stared back and I began to blush but couldn’t look away. Her eyes were so deep a blue that they were dark, darker than my own brown eyes.
I said huskily, “Pardonnez-moi, ma’m’selle,” and managed to tear my eyes away.
She answered, in English, “Oh, I don’t mind. Look all you please,” and looked me up and down as carefully as I had inspected her. Her voice was a warm, fall contralto, surprisingly deep in its lowest register.
She took two steps toward me and almost stood over me. I started to get up and she motioned me to stay seated, with a gesture mat assumed obedience as if she were very used to giving orders. “Rest where you are,” she said. The breeze carried her fragrance to me and I got goose flesh all over. “You are American.”
“Yes.” I was certain she was not, yet I was equally certain she was not French. Not only did she have no trace of French accent but also–well, French women are at least slightly provocative at all times; they can’t help it, it’s ingrained in the French culture. There was nothing provocative about this woman–except that she was an incitement to riot just by existing.