GODS OF RIVERWORLD by Philip Jose Farmer

The book was the Roman emperor Claudius’ grammar of the Etruscan language, located and reproduced for Burton by the Computer. It had been lost sometime during the Dark Ages of Earth, but an Ethical agent had photographed a copy of it shortly after Claudius had finished it. While Earth linguists were bemoaning its loss, it had been sitting in the records of the Ethicals for a thousand years.

Despite his absorption in the book, he could not keep from glancing at the screen. Now he, as the child, had been swung around to face the red angry features of McClanahan, the tutor. Though Burton could not hear the man, he could read the writhing lips. And he suddenly remembered other occasions when McClanahan had hurled invective and accusations at him, and the prophecy that he would go to Hell when he died—if not sooner.

Burton could not see his own lips, but he was screaming, “I’ll meet you there!” His view shifted. He was facing the other way, and the tutor was thrashing him again. He would not be crying or yelling; he kept his lips stubbornly locked so that the tutor would not have the satisfaction of knowing how much he was hurting him. That only made McClanahan’ angrier, and he increased the severity of his strokes. But he was afraid to whip him as much as he would have liked to. Though Burton’s father approved of instilling love of learning and obedience with the rod, he would not have stood for a whipping near to death. The tutor knew that the child would not scream until he was almost dead, and perhaps not then.

Burton turned his head away and focused his intentness into a sword, the tip of which raked across the words of the grammar. He finished two pages, then closed his eyes and projected the pages, as if they had been a film, on the screen of his mind. After which, he opened his eyes to check his accuracy. He smiled. His memory had been one hundred percent perfect.

Book-learning a language was a step toward mastering it. But he should resurrect an Etruscan and imbibe the living speech. However—there was always a however—what would he do with the Etruscan after he had finished with her?

It was then that he thought of the possibility of reading the recordings of the dead in the files. Why not have the Computer unreel their memories? Perhaps the dead could speak.

Using a codeword, he asked the Computer to form a screen on the floor. It did so, and Burton put his question to it. The Computer replied that the memories of the recordings could be extracted and displayed. However, some recordings were not available because of overrides.

He looked at his wristwatch. Time for the androids to have finished their job.

By then the display of his past had leaped to Naples, where -the family was staying for a while during its never-ending wandering through southern Europe. Once more, he was being whipped by a tutor, this time by DuPre, an Oxford graduate.

As Frigate had said, their lives were movies, but, before being shown the main feature, they were seeing “previews.”

It would be embarrassing when the Computer got to the events of the day before this particular incident. He and an Italian playmate had masturbated before each other.

It was also going to be embarrassing when the innumerable excretions were shown, and the sexual scenes would be downright intolerable. These were why Burton had decided that the idea for painting an apartment where all might meet was not enough. His own apartment was to be painted, and, if the others had any sense, they would follow his example.

He entered the doorway, and the screen was hidden beneath the paint. The androids, sweating, were just finishing up his bedroom. He had not told them to paint every room, since there were several into which he would not go. That is, unless he wished to see his past, and he knew that there would be many times when he would not be able to resist the temptation. He could, however, now view it only when he wished to.

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